Wondering if this embed of a whole folder of audio files from Box will work. These are puppet plays that I had students turn into radio plays with Audacity (their first time using the software).
Peace (in the voices),
Given the response on my post the other day around doing a paper version of a Folding Story collaboration with my students, I figured it might make sense to do a little video tutorial of me, folding the paper. It’s not that difficult, really, but I’ve been reflecting recently on the use of video tutorials.
So, I set up a time-lapse setting in my Mac’s Stopmotion program and tried to go through the process. The video seems a bit jumpy to me, but it may be my connection here at home.
Peace (within the folds),
This year, I have a group of students who are “readers,” and I imagine much of the credit for that is with their parents (thank you) and their former teachers (double thank you). There are signs of this all over the place: the books they bring into class and the number of students who signed up for our library’s Book Club elective (triple thank you to our librarian, Pati). Not every year is as strong a crop of readers as this one, which is a great pleasure to see and to experience as a teacher.
We’re still doing a mix of class novels and independent reading in my classroom, with a slow but steady shift towards more independent reading that will be aligned along the lines of our Fountas and Pinnell Benchmark Assessment work (we’re only in our second year of collecting data and I, for one, am just getting more comfortable with the assessments. Now, I need to get more PD on how to use the data.)
For the next few weeks, my students are all choosing their own books to read for class. We spent the first part of the year reading class novels (Flush, Tuck Everlasting, Regarding the Fountain, etc.) so that the framework for being reflective readers and writers should be in place (should be). The other day, we had a discussion about how to choose a good book.
Some of the elements of our class discussions:
To demonstrate some of my own reflective practice, I shared this Prezi that I made last year when I read the novel, Powerless. I found it helped students to see my own thinking as a reader, and made their own responses in their reading journals more reflective, too.
Peace (in the reading),
During some freewriting with my students yesterday (I always write with them — do you?), I started to write this poem about a huge boulder that I remembered from my neighborhood. It was always this odd thing — something left over from the Ice Age that became an eerie play structure for us as kids. There was this deep crevasse or split in the rock, too, which was sort of scary because of the creatures and insects that lived in it. Of course, we couldn’t resist going down into it.
Who could say
where it had come from:
Perhaps it had been dragged there by ice
or regurgitated by roaming dinosaurs
or tossed aside by giants.
It was so much older than us
with stories all of its own
that it had no intention of ever revealing.
All we knew was:
it was there:
a boulder, a rock, a mountain
almost the size of a small house
plunked down into the grove of trees of our neighborhood
as unexpected as ice cream for breakfast.
With sharp footholds for ladders
and soft moss for seats
and a deep crevasse that had been cut by time itself
which seemed to descend down forever into darkness,
the Boulder/Rock/Mountain was our immovable treehouse
luring us in with shadows and spiders and the unknown
down into a place that kept more secrets than I would ever know.
Thick maple and pine and oak trees loomed overhead,
casting a green curtain that kept us cool
in the insufferable months of August
and dry in the rainy Aprils
but never quite safe.
Awake before the others, always,
I’d climb the top of the sentry post
to scan the world
before heading down into the depths of the rips in the seam
toward the unknown,
plunging into my imagination for adventure.
Peace (in the poems),
Some you know that I have been having some fun over at Folding Story, a collaborative story site in which ten pieces of a story as put together but the writer only sees the prior “fold” — not the whole story.
I wanted to bring the idea into the classroom, but the site itself is not appropriate for my students. (The crew there says they might be adding “private writing rooms” in the future for educational purposes. We’ll see.) So, I went the old-fashioned way yesterday: with paper. My students created and contributed to a five-fold story on paper, and mostly, it was very successful in terms of sparking creativity.
The hardest part, believe it or not, was showing them how to fold the paper in such a way so that as the story progressed, the writer would only see the previous fold. In seconds, you could see which kids have some spacial IQ and which don’t. But we got them through it and began. (Essentially, we folded an 8×10 paper into half, and then into half again, and then flipped one of the folds. This gave us five spaces for writing. I had then number the folds, too, so that we knew where we were. An easier way would be to keep it to four folds, but it seemed to me that five was a magic number in terms of a story developing farther enough away from the original.)
After they wrote on a fold, I would collect and redistribute, and they would write the next part while only reading the fold before them. When we got to the last fold, they could open it up and read where the story had begun. We shared a few out with the class. Then, they all got their own original stories back to see where their story had gone.
You should have heard the chatting, and felt the creative energy in the room, as we were doing this activity, which took about 25 minutes. They were very excited to be writing this way, in collaboration with some unknown others in the room. They all were trying to figure out whose story they had and where their original story had gone. I only had one story during the day that was a bit inappropriate (it included a joke about a butt — no doubt, written by a boy) and after I repeated directions about writing for the classroom, things were fine.
As with the site, there is the potential for inappropriate writing, since the writing is being done with anonymity. I suppose I could have changed that — had them add their initials, or read every contribution as I was collecting them for redistribution. (What I did was I read ones where I wanted to send a message to the writer. I’d stand next to them as I collected their writing and very dramatically read it silently to myself.)
Peace (in the folds),
As our collaborative puppet play writing groups are finishing up scripts, I have been teaching them how to use Audacity to record their plays as “radio shows” that are then posted at our class blog site. This recording has a few objectives:
One of the best purchases I have made are a hand of little headphone jacks, which allow two headphones to connect to one computer. We’ve been stringing them together like Christmas lights so that groups of four can all huddle around a single computer and record, and listen.
Here is one of the plays, along with the beginning of the script.
Listen to Mucho Taco Day.
I was reading through my regular email newsletter from the National Council of Teachers of English (NCTE) and my eye caught on this definition that NCTE has for effective teaching practice (This is part of a longer package of stances and legislative platform issues put forth by NCTE for 2011 that touches on issues such as ELL instruction, school district literacy agendas and advice for how to use assessment in schools):
NCTE defines teacher effectiveness as professional practice that:
This covers a lot of good ground — from expecting teacher’s own curriculum knowledge development, to engaging of student interests by connecting learning in and out of school, to using evidence/data assessment to inform instruction.
Peace (in the listing),
I just finished Jay-Z’s Decoded the other day. Although I can’t say that I sit around and listen to Jay-Z, I certainly have heard some of his work and certainly know of him. The book itself is pretty cool, as he works through the thinking behind lyrics and offers up some background on his days growing up in the projects of New York City.
Towards the end of the book, he starts to make a stand on the importance of hip-hip music as it stands now, with a somewhat negative outlook on its very commercialized bent (while celebrating hip-hop’s ability to take over the music world, which it surely has). Jay-Z takes particular aim at Aut0-Tune, which has filtered into just about every song that I hear on the pop stations that my sons listen to in our car. Seriously, I hear it everywhere, and I point it out to my sons, too. (Auto-tune is a computer effect that takes a voice and situates the pitch of the voice perfectly. It also can alter the timbre and tone of the voice. That’s that slight robotic effect you hear.)
Jay-Z sees the Auto-tune effect as having a potentially devastating impact on hip-hop music. While he acknowledges that some artists (Kanye West) have used Auto-tune to their advantage as a medium of musical expression, the problem is that it is now overused to cover up blemishes — slightly out-of-tune voices. This glossing over rips something special from music, he insists, and he notes that an Auto-tuned track “…gives you a sudden sugar high and then disappears without a trace.”
This quote says it all: “Instead of aspiring to explore their humanity — their brains and hearts and guts — these rappers were aspiring to sound like machines.”
And Jay-Z notes that it reminds him of something similar — the Hair Bands that took an idea and a sound, and pounded its audience into submission, to the point where it took Kurt Cobain and Nirvana, and a slew of others, to come along and dethrone the Hair Bands (Poison, Motley Crue, etc.).
Jay-Z notes: “Musical genres have been known to die, mostly because they lose their signature and their vitality ..”
Which makes me wonder what style of music or what kind of bands/artists are waiting in the wings, with Auto-Tune clearly in their sights, ready to take it down ….. I’m sure they are already there.
Here are some more quotes from Jay-Z that I was sharing on Twitter as I was reading. I was looking mostly for his thoughts on writing and making music.
“That gave me freedom to be myself, which is the secret to any long-term success, but that’s hard to see when you’re young …” (p95)
“I’m a music head, so I listen to everything.” (p128)
“….I also make choices in technique and style to make sure that it can touch as many people as possible without it losing its basic integrity.” (p129)
“Knowing how to complicate a simple song without losing its basic appeal is one of the keys to good songwriting.” (p130) #JayZsez
“…whoever said that artists shouldn’t pay attention to their business was probably someone with their hand in some artist’s pocket.” (p131)
“There’s unquestionably magic involved in great music, songwriting and performances …. but there’s also work.” (p141)
“So I created little corners in my head where I stored rhymes …. it’s the only way I know.” (p144)
“Hip-hop, of course, was hugely influential in finally making our slice of America visible through our own lens …” (p156)
“The entire world was plugged into the stories that came out of the specific struggles and creative explosion of our generation.” (p159)
“It’s one of the great shifts that’s happened over my lifetime, that popular culture has managed to shake free of the constraints that still limit us in so many other parts of life.” (p163)
Playing at the rock concern “…was one of those moments that taught me that there really is no limit to what hip-hop could do, no place that was closed to its power.” (p163)
“Hip-hop gave a generation a common ground that didn’t require either race to lose anything; everyone gained.” (p180)
“I’ve never been a purely linear thinker … my mind is always jumping around, restless, making connections, mixing and matching ideas, rather than marching in a straight line.” (p180)
“My life has been more poetry than prose, more about unpredictable leaps and links than simple steady movement …” (p191)
“Great rappers … distinguish themselves by looking closely at the world around them and describing it in a clever, artful way.” (p203)
“Artists can have greater access to reality; they can see patterns and details and connections that other people … miss.” (p205)
“… hip-hop lyrics — not just my lyrics, but those of every great MC — are poetry if you look at them closely enough.” (p235)
“Rap is built to handle contradictions.” (p239)
“Hip-hop has created a space where all kinds of music could meet, without contradiction.” (p240)
“… when I started writing about my life … the rhymes helped me twist some sense out of those stories.” (p245)
“Musical genres have been known to die, mostly because they lose their signature and their vitality ..” (p251)
“I remember the music making me feel good, bringing my family together …” (p254)
“I think for hip-hop to grow to its potential … we have to keep pushing deeper … and (do it) with real honesty.” (p279)
“My songs are my stories but they take on their own life in the minds of people listening.” (p297)
Peace (in my blemished voice),
This weekend, as our regular writing prompt for the iAnthology writing space, I used AnswerGarden as a way to get our folks to write a word or short phrase that captures their feelings about the new year. By late afternoon, there were almost two dozen submissions into the Garden. A nice feature of AnswerGarden is that you can take the submissions and move them into Wordle.
Look at how big the word “Optimistic” is here! (The larger the word, the more times it was submitted).
Peace (in the words),
I don’t put a whole lot of weight into all of the sites that can analyze your blogs (because I am not a business selling ads) but I figured it was the start of the new year and why not take a look at my site through the lens of some data? This is a bit of a narcissistic post, then. A bit of navel gazing.
I first went to my own blog dashboard to get some overall basics.
First of all, I have been blogging here for almost six years (wow – has it been that long?) I started during a Tech Matters week with the National Writing Project, at the urging of a friend, and never looked back. This blog has really become the centerpiece of my online writing. I go to other places, and do other things, but this blog is where all of my connections and reflections begin.
In that time, I have pressed that “publish button” almost 1,800 times, and approved more than 3,000 comments. Meanwhile, my spam filter has been awfully busy, catching and deleting 27,000 errant comments. (Take that, you spammers! You won’t be using my writing to sell your sneakers!)
Second, I plugged my site’s domain (which is hosted by Edublogs, by the way, which has served me well over the years. Sure, there are periodic bumps in the road, but mostly, James Farmer and Sue Waters at Edublogs have been responsive, helpful and forward-looking when it comes to developing Edublogs) into The Website Grader. This analysis site let me know that:
Next, I turned to my Feeburner, which tracks direct RSS subscriptions activated right at my blog, to what it has been finding out for me. It tells me that:
And then, I was off to my Google Analytics for another view of my visitors. Here, I found out that:
Isn’t it amazing how detailed information you can now get from turning your website inside out? With Google Analytics, the data gets broken down even further than what I have shared here and while it is more useful for a business (again, ads), I found it interesting to get a sense of who comes here to hang out with me.
That would be you, right? Thank you and I hope you can stay for your 1 minute and 18 seconds of reading time. Feel free to add a comment, too.
Peace (in the information),