I recently finished a free online course through FutureLearn entitled “Transmedia Storytelling.” I wasn’t all that impressed, but perhaps that is due more to covering ground I’ve already covered on my own in the past than the course itself, which is a mix of videos, articles and a comment strand. (Look: the course was free. I’m not really complaining. But FutureLearn ain’t no NetNarr!)
What I really wanted to see was some transmedia digital story projects showcased as exemplars for how digital stories can jump from platform to platform, creating an overarching arc of story while still maintaining independence on the platforms. Unless I missed them, I didn’t see nearly enough of those kinds of projects.
There was quite a bit of information about what transmedia is, and why it is an interesting new twist on the age-old elements of storytelling (which began with oral tradition, moved into print tradition, and now seems to be coming back to oral tradition with digital media, according to the course instructor.)
I had the vague sense that the course was aimed more at business folks, who are learning how best to market in the digital age through digital immersion of content. That was never said outright, but that was my inferential take on some of the material presented.
Perhaps as Networked Narratives explores digital stories more deeply, I will try my hand at another transmedia composition. I’ve done a few before, and always felt like they pushed me to think differently as a writer. Writing across platforms and spaces, with threads to tie all the pieces together as a whole, requires deep thinking and extensive planning.
When transmedia works, it’s magic.
Peace (in stories),