Our Puppet Shows, Published

Taco Week from Mr. Hodgson on Vimeo.

All 22 of the collaborative puppet shows have now been published at our Puppet Shows of Norris School website. Just a reminder: these are original plays planned out and written collaboratively, with original puppets made by students, and performed behind a puppet theater made by sixth graders about 10 years ago.

The Puppet Show Website

I have to say that for the most part, the stories were pretty cohesive and followed a story arc with protagonists and antagonists and most were able to get a moral or theme into the writing. These are the writing skills that I was going after, plus the exploration of the genre of script writing.

I’ll try to share out individual puppet plays during the week (I had this idea of highlighting specific plays) but one thing that was obvious is that in three of the four classes, there was a taco-themed play. And last year, there were some taco-themed plays. And the year before that, too, if I am not mistaken.

Mucho Taco Day from Mr. Hodgson on Vimeo.

What’s up with the tacos?

So, here are the three taco plays from this year, sprinkled like space throughout this post.

Taco Day from Mr. Hodgson on Vimeo.

Peace (with the cheese and fixings),
Kevin

Puppet Shows: Downloading, Editing, Uploading, Streaming

puppets show 2011
On Thursday, we filmed all of our puppet shows (except for one, which is being done by two sisters in two different classes). The snow days and ice delays meant that we will not be performing the plays lives in front of an audience this year. That was a difficult decision I had to make, but we are far behind in our curriculum and I need to be done with puppetry and script writing and collaborative work around puppets.

Our snow day yesterday gave me a chance to take the raw videos and get them ready for posting to our Puppet Website. It takes a long time to deal with video, which is something I already knew but … phew. When you are dealing with more than 20 puppet shows, each of which has to be formatted for the web as its own video — it’s time-consuming.

First, I had to stream the raw footage off the video camera. From past experiences, I find it easier to do each show individually (as opposed to downloading the entire class). This allows me to do some initial labeling and organizing (organization is the key to this project).

I used my PC but I would like to shift to my Mac. The problem is that the Mac I have for the classroom does not have a Firewire jack (what is up with that? I thought that was pretty much standard these days) and the last thing I need is another hurdle of technology. So, I turned to my PC laptop and used Moviemaker for the streaming to my computer. Since the initial video is downloaded as high quality, it takes up a lot of space. I use a portable hard drive for this work, since my PC is sort of old and has space limitation.

This means that I have to keep a watchful eye on the streaming, stopping after each play. My 6 year old son had a good time, watching the plays on the little video screen, laughing at the puppets and the antics.

Second, I used MovieMaker to add a title and do some adjusting of the volume — trying to give a boost here and there to the plays where kids did not quite perform as loud as they should have, even though we talked and talked about the use of voice for performance. The problem is that our puppet theater — hand carved by students about 10 years ago — is wood and their voices bounced back to them, giving the impression of loudness.

Third, I had to make each show into a video with Moviemaker. I use a relatively low quality output, so that they are web-ready for online viewing. (I set it at the Video for Local Playback/2.1 Mbps). I would go lower but I worry about the quality. This takes some time because each video needs to get created individually and you can only run at a time. I’d go off to do other things, and see how things were faring from time to time.

Finally, once all the videos are made, I shift to Vimeo, where I host all of my videos and begin the process of uploading. I used the desktop Vimeo uploader but it crashed on me towards the start of the process and I could not get it working right. So, I did it manually at the Vimeo site, which takes more time. Once the videos were up, I sorted them into folders according to my four ELA classes, adjusted the sharing embedding code, and chose thumbnails for each video.

I’m not done yet! Now, I need to replace all of last year’s puppet shows at our website with this year’s puppet shows, and the other day, a friend pointed out that Vimeo is not playing so nice with WordPress (or vice versa), and the videos are spilling out over the sides of the WordPress post space. My next step is to figure that out, and if it doesn’t work, create another web space for the puppet shows.

Early next week, I will share out some of the puppet play videos. I need to do some grading on the projects, too. At this point, though, I have seen all of the plays enough times, in enough formats, to know them pretty well.

Oh, and in between all of that video work, I went sledding, helped to shovel the driveway, read books and more books to my son, got myself and my sons a haircut, and more. I was not glued to my screen on a winter day, but it did capture a fair share of my attention from time to time. I do it because I know my students and their families will appreciate it.

Peace (in the puppets),
Kevin

Creating a Cross-Grade Writing Rubric

Writing Rubric
ELA Conventions Rubric
Our school is in the midst of a two year Literacy Initiative, which has led to such things as a Literacy Conference hosted at our school last year and a move into the Fountas & Pinnell Benchmark Assessment and many conversations about reading and writing and literacy (although not so much around New Literacies).

Last year, as we shifted into a Standard-based Reporting System (no more grades), I realized that I needed a reading response rubric that would align with that new system and allow me to have conversations about what we expect from our writers when they are responding to literature. The principal agreed to pay for enlarging the rubric into a huge poster for all of our sixth grade classrooms, and now that is a common tool we all use. Then, our associate superintendent walked through the room earlier this year, commented on the rubric, and asked that our principal provide copies for other schools and also for other classrooms.

Now, that reading response rubric hangs in most of the grades three through six classrooms in our school. I can’t say if it is helping or hindering other teachers, though. I am hopeful that it will lead to more exposure to open response, critical thinking questions. All of our test score data shows an across-the-board weakness in open response from our students, in math as well as ELA.

But what about writing? What about personal narratives, short stories and other forms of longer composition that does not fall under the heading of reading response?

Last week, we began the first steps towards creating a similar rubric for writing and composition for grades three through six. We made pretty decent headway, I think, but it is more difficult than it seems to create a document flexible enough to be useful for a third grader as well as a sixth graders, without being so general that it means nothing.

We decided to break off the ELA Conventions as its own rubric and then, with the Writing/Composition Rubric, we focused in on some specific areas:

  • Clarity
  • Explanations
  • Details
  • Development of ideas
  • (to be added) rich vocabulary

One teacher had a great suggestion with this draft that a small group of us presented: create a third column on the rubric for grade-specific skills. This would allow for us all to have some common language around literacy, but still allow that flexibility for what is expected in each grade — building skills as the students move upward through the school.

We’ll also be reformatting these rubrics with more bullet points, as opposed to sentences, so that the rubric makes more sense visually for students. Eventually, each classroom will have three large rubric posters: reading response, writing/composition, and conventions.

Since I was given the charge of creating the draft of the rubric (which I am sharing here), I purposely used the word “composition” instead of writing in the rubric, and I explained to my colleagues that this word better covers all elements of literacy — use of digital tools to create work as well as composing an essay. I noted, too, that the Common Core standards are heavy on use of media for learning and creating and so I hoped that word “composition” would be flexible enough. No one argued that point.

Peace (in the rubric),
Kevin

Puppets on Display

We’re gearing up for puppet play performances next week, as we invite preschool through second grade classes to our classroom to view the original puppet plays. The snow day we had yesterday messes up my schedule (of course), which is usually to videotape the plays before the performances. But we need today as a full day of rehearsal and tomorrow is a half-day with students (for PD afternoon), and Monday is a holiday. Tuesday and Wednesday are our days of performing. The clock is ticking.

Most groups are doing fine. I think this year’s addition of recording Radio Play versions with audacity worked well because it gave them multiple chances to read through their play before going behind the puppet theater itself.

I love the puppets that they make because the kids go a little crazy with it and that often leads to creative ideas. I took a few pictures the other day and wanted to share them out. Most of the work on the puppets is done with my art teacher colleague, Leslie, and then they finish up in my classroom (which becomes so messy it drives me crazy, but I have to keep my frustration with feathers, felt, string and whatever in check. I know they are in the act of creating, and the room will be cleaned eventually.(

Student Puppets
Student Puppets
Student Puppets

Peace (in the puppetry),
Kevin

What My Students Are Reading

We moved into an independent reading unit this week, and as my students sat around in a circle yesterday and shared their titles and the first sentence of the book (as a teaser), I made notes of the titles that they had chosen for themselves. I have read about half of them, and know about 25 percent more of them, but a few of the books have not come into my radar before.

The books I had not heard of before include:

  • The Secret Society of the Crystal Ball
  • Soul Surfer
  • Dewey the Library Cat
  • Shiver
  • You Wish

My goal is to put this list of books up in the room (and also, at our class blog site) as a resource for all four of my classes, for times when they are in the process of choosing a book to read.

I could not help but notice a few classics on the list:

  • The War of the Worlds
  • The Adventures of Tom Sawyer
  • Treasure Island
  • The Phantom Tollbooth
  • White Fang

Wordle seemed an apt way to highlight the book titles.
1book
2book
3book
4book

Peace (in the books),
Kevin

A Folder of Puppet/Radio Plays

Wondering if this embed of a whole folder of audio files from Box will work. These are puppet plays that I had students turn into radio plays with Audacity (their first time using the software).

Peace (in the voices),
Kevin

How to Fold a Paper for a Folding Story


Given the response on my post the other day around doing a paper version of a Folding Story collaboration with my students, I figured it might make sense to do a little video tutorial of me, folding the paper. It’s not that difficult, really, but I’ve been reflecting recently on the use of video tutorials.

So, I set up a time-lapse setting in my Mac’s Stopmotion program and tried to go through the process. The video seems a bit jumpy to me, but it may be my connection here at home.

Peace (within the folds),
Kevin

Encouraging Independent Reflective Readers

This year, I have a group of students who are “readers,” and I imagine much of the credit for that is with their parents (thank you) and their former teachers (double thank you). There are signs of this all over the place: the books they bring into class and the number of students who signed up for our library’s Book Club elective (triple thank you to our librarian, Pati). Not every year is as strong a crop of readers as this one, which is a great pleasure to see and to experience as a teacher.

We’re still doing a mix of class novels and independent reading in my classroom, with a slow but steady shift towards more independent reading that will be aligned along the lines of our Fountas and Pinnell Benchmark Assessment work (we’re only in our second year of collecting data and I, for one, am just getting more comfortable with the assessments. Now, I need to get more PD on how to use the data.)

For the next few weeks, my students are all choosing their own books to read for class. We spent the first part of the year reading class novels (Flush, Tuck Everlasting, Regarding the Fountain, etc.) so that the framework for being reflective readers and writers should be in place (should be). The other day, we had a discussion about how to choose a good book.

Some of the elements of our class discussions:

  • Choose a book that has high interest for you. Don’t choose something that you know from the outset is going to bore you. Get comfortable with a book.
  • It’s OK to abandon a book that seems to start strong and then fades away. I let them know that this is what readers do: we make judgments about the books and either continue because we’re interested or abandon if we’re not.
  • Be an active reader. Since this is the classroom, I will be forcing some of that reflection on them through the use of reading journals, one-to-one conversations and some reflective open response writing. And this is as much to instill good reading habits as it is to assess them, I think.
  • Recommend books for others to read. Since we are a reading community, I want students to be highlighting the books they are in love with and passing that love on to others. I am still considering the best system for this (online or on-walls of the classroom, or both?).
  • Challenge yourself as a reader. It’s OK to pick a book that interests you but is a bit easy for you as a reader. Just don’t get locked down into the easy mode. We talked about making sure that you follow up an easy read with one that may be a bit more challenging. The beauty of this shift is that the more challenging books are often also the more interesting, as writers take you off in different directions.
  • Pay attention to the craft of writing as you read. Since my students are writing most of the time, I want them to notice the techniques and approaches of the novelists they are reading. (By the way, one of the components of the Benchmark Assessment that I really like is the comprehension element, where one part of the questions deals with ‘beyond the text’ and all of the writing approaches).

To demonstrate some of my own reflective practice, I shared this Prezi that I made last year when I read the novel, Powerless. I found it helped students to see my own thinking as a reader, and made their own responses in their reading journals more reflective, too.

Peace (in the reading),
Kevin

From Digital to Paper: A Folding Story Activity

folding story
Some you know that I have been having some fun over at Folding Story, a collaborative story site in which ten pieces of a story as put together but the writer only sees the prior “fold” — not the whole story.

I wanted to bring the idea into the classroom, but the site itself is not appropriate for my students. (The crew there says they might be adding “private writing rooms” in the future for educational purposes. We’ll see.)  So, I went the old-fashioned way yesterday: with paper. My students created and contributed to a five-fold story on paper, and mostly, it was very successful in terms of sparking creativity.

The hardest part, believe it or not, was showing them how to fold the paper in such a way so that as the story progressed, the writer would only see the previous fold. In seconds, you could see which kids have some spacial IQ and which don’t. But we got them through it and began. (Essentially, we folded an 8×10 paper into half, and then into half again, and then flipped one of the folds. This gave us five spaces for writing. I had then number the folds, too, so that we knew where we were. An easier way would be to keep it to four folds, but it seemed to me that five was a magic number in terms of a story developing farther enough away from the original.)

After they wrote on a fold, I would collect and redistribute, and they would write the next part while only reading the fold before them. When we got to the last fold, they could open it up and read where the story had begun. We shared a few out with the class. Then, they all got their own original stories back to see where their story had gone.

You should have heard the chatting, and felt the creative energy in the room, as we were doing this activity, which took about 25 minutes. They were very excited to be writing this way, in collaboration with some unknown others in the room. They all were trying to figure out whose story they had and where their original story had gone.  I only had one story during the day that was a bit inappropriate (it included a joke about a butt — no doubt, written by a boy) and after I repeated directions about writing for the classroom, things were fine.

As with the site, there is the potential for inappropriate writing, since the writing is being done with anonymity. I suppose I could have changed that — had them add their initials, or read every contribution as I was collecting them for redistribution. (What I did was I read ones where I wanted to send a message to the writer. I’d stand next to them as I collected their writing and very dramatically read it silently to myself.)

Peace (in the folds),
Kevin

Puppet Plays as Radio Plays

As our collaborative puppet play writing groups are finishing up scripts, I have been teaching them how to use Audacity to record their plays as “radio shows” that are then posted at our class blog site. This recording has a few objectives:

  • They get to learn Audacity;
  • They keep practicing their plays;
  • They are making revisions to the scripts as they “hear” themselves;
  • They get to publish their plays before they perform them;
  • A few of the groups are realizing that they can add sound effects as they record;
  • Others realize that their play is visual and an isolated audio file doesn’t do their story justice;
  • All four classes get to hear what friends in other classes have been up to with their plays.

One of the best purchases I have made are a hand of  little headphone jacks, which allow two headphones to connect to one computer. We’ve been stringing them together like Christmas lights so that groups of four can all huddle around a single computer and record, and listen.

Here is one of the plays, along with the beginning of the script.
Listen to Mucho Taco Day.

Mucho Taco Day

Peace (in the plays),
Kevin