In a touching memoir of his relationship with his father (and the suitcase of writing that his father bestowed upon him and asked to read after he died) that was delivered as a Nobel Lecture and then published in The New Yorker, Orhan Pamuk tries to get at the heart of what a writer is. (Pamuk won this year’s Nobel Prize in Literature).
Here is one section of his description of a writer, as he sees it:
“A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is. When I speak of writing, the image that comes first to my mind is not a novel, a poem, or literary tradition; it is the person who shuts himself up in a room, sits down at a table and, alone, turns inward. Amid his shadows, he builds a new world with words.” — Orhan Pamuk, in The New Yorker (Dec. 25 2006/Jan.1 2007 edition)
I like that description because it touches a deep chord with me and my own personal writing process. I know it is not the same for everyone and Pamuk even acknowledges that for his father, the writing process was completely different — more social in nature.
Peace (with words),
I’ve been observing from afar a “tagging” game going on among edubloggers, who are asked to write five things about themselves that other bloggers may not know (are there really other bloggers out there in the world?) and then spin the game to five other people (reminds me a bit of six degrees of seperation — minus one). Cheryl Lykowski — who is part of our Youth Radio initiative — got me this morning and so here I go:
Five Things about Me
- My nickname Dogtrax comes from a childhood nickname — Red Dog, which is a football play. We played some tough tackle football in my apartment neighborhood and I was a blocker for my best friend, Chris, and he named me Red Dog (my hair was red back then). The name got shorter as the years went on, and was reduced to Dog, and then when I started doing some independent recording with a four-track machine, I named my “company” Dogtrax Studio.
- I have written more than 200 songs — most of which stink and many of which I have the lyrics (archived) with no chords, so the words are alive but the music is mostly lost. Except that I have on cassette tape about 100 songs from the last 20 years sitting around, gathering dust and losing their magnetic strips, no doubt.
- I was in the Connecticut National Army Guard for six years as an infantry soldier — I was a Wire Dog, which meant running communication wire through the dead of winter from one command center to another. I got a low degree of frostbite on one of my fingers to remember the experience by.
- A friend and I are working on a movie script that centers around our college days and an interest in Buckminster Fuller — the man behind the geodesic dome and many other scientific advancements.
- I have composed and played music for my family’s church and listened with pleasure as a huge pipe organ and a full choir belted out two of the songs I wrote here at home, with a guitar and a computer notation program. On one of the performances, I even had my wife play her violin and a friend play his guitar, while I played my soprano saxophone on the song. Glorious indeed.
Hmmm. Now who shall I tag?
I’m not quite sure how this whole venture progresses from here but my National Writing Project friends can consider themselves tagged.
Peace (in at least five ways),
PS — So I began tracking the meme project backwards, just because I had a few minutes, and phew … the links track way back with this Five Thingamabob Project. I grew exhausted just following the leads.
My two older sons (ages 8 and 6) were so enthralled with my StopMotion experiments with Thelonius and the short movies that I made that they pressured me to let them produced their own movies, too. And who am I to resist that kind of pressure?
First, they made a short film about a mouse who gets chased by some creatures (including an owl who slowly emerges from a hole in a paper tree — first the beak, then the eyes, and then the head). Then, they decided to create a second movie in which the stars of the first movie get interviewed by reporters, only to find that a thief has stolen all of their money right from under their noses.
My only roles in these projects were to run the computer and help with the voices. The boys did everything else, and the older one is now (with no push from me) creating his own style of storyboard for the next few chapters of the story and he was hard at work on the writing right up until bedtime last night. (One interesting aside: one of the characters fell over during a sequence but only for a frame or two, and it led us to a discussion about “subliminal” images in movies because the three of us can see the flicker where the fall happened but it zooms by so fast that no one else would likely catch it).
Should I mention how exciting it is for me, as a dad and a teacher and a writer, to see my kids so involved in something so creative?
Here, then, is the premiere of Mouse Chase and Movie Star Friends:
Peace (one frame at a time),
Winter break is almost over and so I made one last StopMotion movie experiment with my character, Thelonius, in which he is transformed from strange-looking puppet into bizarre-looking clay figure (go figure).
Along the way, I thought about some things to think about for using StopMotion in the classroom:
- Lighting is key. I need to find a way to have consistent lighting for my students because it really effects the entire piece when lighting goes astray. I had shadows all over the place and I never really found a good set-up for the movies.
- Plan out the project. I had a pretty good conceptual idea for what I was doing but I can see that we will need pretty extensive planning. Storyboarding will be even more important with stopmotion animation.
- Be careful with your fingers. I lost an entire movie because I accidentally saved it some wrong way. Students would lose all of their patience if they lost an hour’s worth of work. I just started over again (cursing all the time).
- I think clay figures will need some internal support — wooden armetures (is that the phrase) to provide support, so that when kids move their characters around, they won’t crumble. I am using a mannequin body but the weight of the clay is tipping Thelonius over and so I need to revisit my clay structure.
- The question of how to sync narration with the video is vexing and one I will have to think about. That will take some practice. I used a mix of audio, music and text — just to see which one might work, and I am not sure of the results.
- Movement of character is slow but cool to watch when done. You really have to take it one step/one motion at a time. If you rush the movement, it shows in the movie. When I was slow and deliberate, it made all the difference in the world.
- A good site for insights into this process was put together by a friend, Glen, out in Oregon. Here is his site.
And now, for Thelonius Tranformed:
Peace (in slo-mo),
This another entry into my stopmotion animation adventure — I bought this little stick figure with intentions to turn my Thelonius puppet into a clay figure (still working that out) and decided to get the little guy movin’ to an old song of mine called “Dance Hall Fool.”
Peace (through dance),
I am once again on the road of experimentation — this time with StopMotion Animation. Every year, I do a claymation movie project with my sixth graders but to call it “claymation” is not quite accurate. They take single digital photos, add narration, and use MovieMaker to edit and produce short movies (in collaboration with second graders). Here is a link to last year’s collection of movies.
But this year, I want to try real stop-motion animation with them and my friend, Tonya, showed me some free software this summer at the National Writing Project’s Tech Matters seminar that I only now got around to downloading and checking out. (Here is a link to the wonderful site that has the software and a load of other resources for animation projects)
If I want my students to do something, I guess I better try it myself and figure it all out from the ground level (a mantra of mine — do it yourself! do it yourself! do it yourself!) So here is a character I created called Thelonius — he’s a puppet because I didn’t have any clay around the house and Thelonius is trying out a saxophone.
I hope to make a Thelonius clay figure and set him off on some small adventures with stopmotion animation.
Peace (with animation),
PS — the music is by my old band, Big Daddy Kiljoy, and that’s me on the saxophone!
The other day, I suddenly realized that I had broken the surface on my 200th post for this Weblog endeavor.
I began this Blog back in the summer as an experiment to enter the world of writing from another doorway, as I had been writing poetry, songs and fiction on my own and getting some of it published in little corners of the world periodically.
I named this site Kevin’s Meandering Mind because I didn’t want to just focus on the art of writing, nor the art of teaching, but I wanted it to be a place where I could exist in words, sounds and images (and now video, too) and I think it has been quite a lot of fun and quite a lot of learning going on here.
I want to give great thanks to Jim Farmer and this Edublogs network. It has had its hiccups since I joined the community, but overall, the work here to provide free and creative blog structure to teachers has been wonderful.
So, if you are reading this, thanks for your time and help me celebrate by blowing out the candles on the cake. (ready? one, two three … whoooosh).
Peace (with posts),
This is another in my installment of poems, with the aim of writing and publishing at least one original poem every month for a year. It turns out I am on track to do two poems every month for the year but I refuse to change my moniker now!
The Mind, Alive (December 2006)
Listen to the poem
when all should be in darkness,
I am bathed in light;
words in my mind turning corners
and wondering all the time whether this, too, shall lead me
further beyond myself.
It’s the small things;
The words not spoken, the look not given,
the missing embers lost among the light of these anxious moments
into which I offer nothing more than some token passive resistance
to the inevitable.
And yet, who is to say …
Nothing is certain at 2 a.m. with the lights turned off —
when dim silence is comforted only by thoughtful interrogation
precariously balanced between madness and meaning.
Outside, the rain falls
and thunder calls from a far-off distance
Not something wicked this way coming
Not something I cannot see
But, rather, the anticipated movement of time itself
into which I draw comfort
Kevin (the poet)
I made it a bit of a mission this year to investigate the possibilities of integrating audio and video into my web presence, both for personal use and for educational use, and it has been quite a learning-curve journey with many more miles to go, I suppose.
This morning, however, I came upon Wired News feature The Year in Online Video and I assume this is probably the first time that this category has been created and used for such a feature (I may be wrong, but I don’t think so). In the article, which has embedded video right in it, there were some cool clips, such as:
- Real Life introduction to The Simpsons
- The Mentos versus Diet Coke experiment
- OK Go and their funny sync-dance music video (on treadmills)
But what is most fascinating to me, I think, are the two videos where people took photographs of themselves every day for a period of time (in one case, a year, and in the other case, six years) and then pulled them all together into a video. The effect is quite fascinating.
Video has many possibilities, some of which we can’t quite yet see.
Peace (and good year ahead),
Thanks to Paul O. for recommending this very cool graphic book called Radio: An Illustrated Guide by Jessica Abel and Ira Glass. The book chronicles the experience of creating a radio show for This American Life, hosted by Ira Glass. The graphic novel is perfect for this venture, I think, because it shows you different nuances of how a radio story comes together over the course of many weeks, from one idea to an emerging theme.
For anyone interested in getting a look behind the scenes of a thoughtful and frenetic radio program, this book is for you.