“We were always overreaching.” — Geddy Lee
I can’t say that I grew up a huge Rush fan, but I had plenty of friends who were, and who would listen to 2112 religiously, and even had a bass playing friend who took on the task of learning as many Rush songs as possible. (It turned out … not too many … have you ever listened to Geddy Lee?) I am, however, a fan of rock and roll documentaries, so I took a chance on Beyond the Lighted Stage, which showcases the band through the years and how their individualism and musicianship stood them well in the face of a music industry that, as one band member say, “didn’t know what to do with us.”
There’s something to be said for bands that refuse to kowtow to a record label. I don’t know if there are enough of them anymore, although maybe the shakeup of the industry is finally leveling the field a bit. Maybe there are more bands that can tell a record company where to go when they say “we need a hit” and still survive by carving out an audience. I sure hope so.
After watching Beyond the Lighted Stage, you have come away with admiration for the three members of Rush (OK, so if you listen to them and think, that’s only three guys? That still remains an eye-opener for me. Or ear-opener.) Their musicianship remains impeccable, their ability to weave narrative and story into songs is a worthy goal (even if they do, in fact, overreach), and their friendship through the years is something that I find admirable. One storyline of drummer Neil Peart (who is sort of a god-like drummer to most of my drummer friends and also the main lyricist for the band) is particularly wrenching, as Peart loses his daughter and his wife within a short period of time, and in a bit of escapism from the world, hops on a motorcycle for a year of traveling and reflecting. The band came to a halt, as his bandmates worried about him. The movie shows Peart’s re-entry into the life, and into music, with the help of Rush.
Watching the documentary reminded me of a webcomic I created around a bass player in a band. The main character — Bassman — considers Geddy Lee to be a god, and starts a viral compaign to get Rush into the Rock and Roll Hall of Fame. I think that Geddy Lee reference comes from memories of my friends, and the fanatical view of Lee as a bassman extraordinaire.
Peace (in the bass and beyond),