Remembering Bird: A Visual Poem

I’m migrating a bunch of old videos from Google Videos into Youtube, and it has become sort of like a trip into my video composing past, in a neat way. A few years ago, I gave a keynote at the Hudson Valley Writing Project and then sat in on a session around poetry and digital storytelling. I had Charlie Parker on my mind, I guess, and wrote this:

Peace (in the sharing),
Kevin

Student Book Glog: School of Fear by Gitty Daneshvari

I’ve seen some students walking around with School of Fear (and thought, to myself, with that demented teacher voice, how appropriate … heheheh) and you can’t help but think, here is a book where the cover certainly attracts your eye. All the students who have read it have said they really liked it, so I’ll put it on my future reading list, too. This student worked hard on her digital poster project, and struggled a bit with what to say. In the end, she did fine, though.

Peace (in the school of no-fear),
Kevin

 

 

Free Comic Book Day!


Tomorrow (Saturday) is Free Comic Book Day. Go down to your nearest comic book store (do you have one?) and grab a few free comics. They’re not always the very best comics, to be honest, and you may need to make sure they are appropriate for whatever age kids you are going to share them with, but … did I mention free comics?

http://images.wikia.com/starwars/images/5/54/FCBD_nodate.jpg

The website for Free Comic Day (now 10 years old, apparently) has more information, including a handy tool to find comic book stores where you live. I usually go with my sons, and we all get handfuls of comics. I bring mine into my classroom for my students. They love it.

The Cognitive Choices of Choose Your Adventure Stories

 

I have long been fascinated by the genre of Choose Your Own Adventure books (and how to flip that interest that kids have in those stories by having them plan and write them). I’ve used wikis to have my students create their own, and will probably do that again before the end of the school year, and I have presented the concept of merging technology and writing with those kind of stories that branch out in different directions.

See my Threaded Adventure resource

The other day, I came across a website that just blew my mind. It is a comprehensive look at how Choose Your Adventure stories unfold, and the researcher (whose name I can’t find) took a real analytical approach to what it means to read one of these books. They examined the books across the years, using colors to chart the various endings and choices. Using all sorts of data analysis and graphs, the writer really unpacks the critical thinking that goes into being an active reader. It’s fascinating.

“… their interactive function is to create a gameworld for the reader. This is part of the wonder of these books – they took a pre-existing set of interface conventions designed for utilitarian search tasks and mapped a new activity onto it. They were effectively a new kind of software application for the oldest information-display platform we have.”

from: http://samizdat.cc/cyoa/

I had not really considered the books in terms of gaming, or even software design, and yet … that makes complete sense now that I do consider it. The non-linear, problem-solving approach that puts much of the agency in the hands (or eyes) of the reader makes for such a different kind of experience when you are reading Choose Your Own Adventure stories. It made me wonder about why these kinds of narratives are not more in vogue with apps and ebooks (only to see that, indeed, there is a line of the books now available for the ipad)

 

CYOB Adventure Graph

On the flip side, having students plan and write these kinds of stories is an interesting endeavor. At least with my sixth graders, some “get it” and some don’t – mainly because of critical thinking skills. Those who get it compose rich stories with multiple exploration points, and some narrative branches will even arc back with others. Those who don’t get it still follow a very linear path — and who can blame them if that is all that they ever read. The use of the powerful “hyperlink” opens up possibilities for this kind of writing, though, whether it be via a wiki or powerpoint or even a folder of Word documents. (or even using Google Docs forms to do the same thing, which is another interesting twist).

And, if you want to stretch it even further, you can now annotate videos on Youtube, and create visual Choose Your Adventure stories. I did this experiment a few months ago when I was writing about mentor texts. Watch the video and click in the video to make your choices. Notice how the viewer is the one with a bit more agency than usual, just as the reader is with the books.

Come join the adventure with The Mysterious Fruit story.

Peace (in the choices),
Kevin

 

 

 

 

Student Book Glog: Squirrel Seeks Chipmunk by David Sedaris

I have to admit: when a student came into our independent reading unit with this book by David Sedaris (ironically, the ONLY book by Sedaris that I have not read), I was more than a little surprised. A sixth grader … reading Sedaris? But I only reserve my “no way” for books that really don’t belong in the hands of an 11 year old, so if she was game — why not? What I like is that she was a pretty critical reader of the stories in the collection. See her digital poster on Squirrel Seeks Chipmunk.

Peace (with the funny stuff),
Kevin

Remembering My First Stopmotion Movie


I was in my YouTube account the other day and noticed that there is now an option to move all old videos from the former Google Videos into YouTube. Nice! I thought I had lost a lot of those movies (I used to use Google Videos all the time). Here is the very first stopmotion movie I created, many years ago now, that uses an original song and an art figure that is trying to dance. It’s still fun to watch (for me anyway).

I remember all the logistics of trying to get the camera right, and learning how to use the capture software and then MovieMaker. Luckily, a friend from the National Writing Project — Tonya Witherspoon — was a good mentor, and it was her enthusiasm that got me started.

If you are interested in stopmotion moviemaking, I have a website resource that might be handy for you and your students.

Go to Making Stopmotion Movies

Peace (in the motion),
Kevin

 

Considering Common Core: Why Fiction Matters

If you, like me, are in a state that has fully adopted the Common Core, then you know one of the major shifts in literature is away from fiction and into informational text. That’s not to say that we are to throw away all of our novels and short stories, and stop writing poetry and narratives, but the emphasis of the Common Core is clearly on non-fiction, informational writing and reading.

For many of us, particularly those of us who teach in elementary levels, this is going to be a huge shift in what we teach, how and the resources we have available to us. Although we do use smaller non-fiction texts in my classroom, much of the reading that we do right now is fiction: novels, short stories, narratives, poetry, etc.

The rationale, as I understand it, is that being ready for the world of work and college requires analytical thinking skills and understanding of the world, and the writers of the Common Core seem to believe that non-fiction is a critical component to that kind of learning. Fiction is still part of the expectations (and in Massachusetts, our state has put fiction in greater measure than some other states thanks to our state officials using their “wiggle room” to add in more fiction standards), but reading and writing and research will mostly unfold around informational strands in the new standards.

I had this in mind as I was reading a great piece in the The Boston Sunday Globe last weekend.  In the piece, called Why Fiction Is Good for You by Jonathan Gottschall, the idea of reading fiction as a way to explore the world, make moral decisions, and use critical thinking skills for a whole range of reasons gets its due (although the act of writing fiction is barely mentioned.) Gottschall notes that recent research around the brain and stories seems to indicate just how important this connection is:

This research consistently shows that fiction does mold us. The more deeply we are cast under a story’s spell, the more potent its influence. In fact, fiction seems to be more effective at changing beliefs than nonfiction, which is designed to persuade through argument and evidence. Studies show that when we read nonfiction, we read with our shields up. We are critical and skeptical. But when we are absorbed in a story, we drop our intellectual guard. We are moved emotionally, and this seems to make us rubbery and easy to shape.

But perhaps the most impressive finding is just how fiction shapes us: mainly for the better, not for the worse. Fiction enhances our ability to understand other people; it promotes a deep morality that cuts across religious and political creeds. More peculiarly, fiction’s happy endings seem to warp our sense of reality. They make us believe in a lie: that the world is more just than it actually is. But believing that lie has important effects for society — and it may even help explain why humans tell stories in the first place.

from: http://articles.boston.com/2012-04-29/ideas/31417849_1_fiction-morality-happy-endings

When we think of how learning informs the future citizens of the world, we want to remember that a balance of texts is a key consideration, and as this article shows, the reading and understanding of fictionalized stories is not a frill, but an important part of how we come to understand ourselves and the world in which we inhabit. I surely hope that the push into Common Core does not mean that there are classrooms where these ideas are not longer fully explored.

As he writes, fiction shapes us — for the better.

Fiction is often treated like a mere frill in human life, if not something worse. But the emerging science of story suggests that fiction is good for more than kicks. By enhancing empathy, fiction reduces social friction. At the same time, story exerts a kind of magnetic force, drawing us together around common values. In other words, most fiction, even the trashy stuff, appears to be in the public interest after all.

from: http://articles.boston.com/2012-04-29/ideas/31417849_1_fiction-morality-happy-endings/5

Peace (in the real world of stories),
Kevin

 

Why I Was Writing a Poem Every Day

For the past few years, I have been writing in the shadows of Bud Hunt, as he spends April posting images at his blog designed to spark poetry in his readers. I’m not sure why I am always obsessed with writing a poem at his site every single day … but I do, and I did. Some of the poems are just junk — throw-aways that I composed in minutes as I start my day and best left forgotten as digital debris. Others … have some potential, and that is the reason why I like writing every day.

Sometimes, something sparks, and a poem in particular might grab hold — some line, some word, some sentiment — that might be developed later on. I tried to podcast my poems with Cinch as much as possible this year, although I suspect I was mostly the only one listening to my voice. Which is fine. I did it as a way to archive my inflection as I was writing — where is the stress of the line, and maybe, what is the emotional underpinning of the poem itself. (What I didn’t do so much this year is archive each day’s poem in Google Docs, which I usually do, so now I will need to spend some time at Bud’s blog, grabbing my words back.)

I love writing poems because they are so different from much of the other things that I write on a regular basis. I’m not sure I always succeed in what I am trying to do with my poetry. I don’t have enough discipline all the time. But the writing of verse taps into something interesting, and it reminds me that poetry for my students can often do the same thing. The poets who emerge when we write poetry in the classroom are often the unexpected students — the ones who struggle with the essays and the longer stories and other pieces of writing. There are poets hidden in all of our classrooms. We just need to find them.

Here is the last poem I wrote for April with Bud. He showed us an image of a car, from inside the dashboard. Somehow, I had this idea of being pulled over by the police for writing poetry too fast (I do).

The cop pulled me over and asked:
why so many poems in so many days
and where the hell do you think you’re going, anyway?
He demanded my poet’s license and writing registration
so I dug into my pocket for my papers and my pens
and assorted ideas,
shoving them into his outstretched hands,
and watching him shuffle back to his cruiser,
deep in thought.

Out of his sight line,
I secretly pulled out the scrap of paper
where I had been dabbling with rhythm and rhyme for some time,
thinking of how this might work here
or how I might just save that for some other line
when I heard his boots scraping against the pavement,
and saw his face peering in at me.

He let me off with a warning
of writing too fast in an overly connected world
and later, I noticed, in the margins of my poems,
he had jotted down a few ideas for an unfinished piece
and it all worked perfectly.


Peace (in the poems),
Kevin