Slice of Life: The ‘Inside This’ Poetry Podcast

I’m a big fan of how technology can bring student voices forward. Yesterday, I pulled out my voice recorder as my sixth graders were sharing a poem entitled “Inside This …” and asked if anyone wanted to share their poems as a podcast. I got a handful in each class, and the poems were nicely done, and sound wonderful. (The poem uses figurative language techniques to get at the essence of an inanimate object. I allowed one exception for the girl who wrote about a chicken egg. She loves writing about chickens.)

Enjoy the voices!

Peace (in the podcast),
Kevin

 

Book Review: Gregor and the Code of Claw

Cover of: Gregor And The Code Of Claw by Suzanne Collins

And that wraps up the adventures of Gregor the Overlander.

My son and I finished the very last book in the Gregor the Overlander series by Suzanne Collins. Gregor and the Code of Claw kept up the pace of action and violence of the other books as the humans who live underground in the city of Regalia are engaged in a brutal war with the rats. Gregor, the 12 year old warrior, is a key piece of the puzzle for victory, as is his younger sisters, but Collins nicely develops his character so that he comes to loathe war and relish peace.

If my son had not been so interested, I probably would have stopped at the first or second book in the series. It’s not that the story is not interesting, and it’s not that the characters (particularly Ripred the rat) are not intriguing, but I have to admit that I continued to be put off by the war scenes (which echo our own history). The Code of Claw did bring a lot of plot lines to a close – including an unusual peace agreement between the humans and rats who did survive — and Gregor emerges from the underworld as a scarred, changed and more fully developed person than when he first dropped down through the grate in his laundry room so many books ago.

My son asked if there would be more Gregor books but I suspect Collins has her hands full right now with The Hunger Games and no doubt, some huge publishing contract has landed on her desk for another series. As for me? I am done, Gregor the Overlander. Fly you high! (a phrase that those who read the books would know)

Peace (in the overland),
Kevin

 

Slice of Life: Thinking in Haiku

Yesterday morning, I realized that it was World Poetry Day. OK, so I am not sure what that kind of holiday is but it sounds good to me! (I’m a sucker for writing-inspired-days). I decided that I would spend the school day, periodically writing down haiku reflections as my students were doing some poetry writing themselves (which we had already planned.) I also began sharing the haikus on Twitter when I had a few moments. Haiku works well with Twitter due to the brevity of lines and words.

The first poem came from the moment when I made the decision to write poems.

I celebrate poems
Small lines that entwine my heart
released to the world

On the drive to school, it was foggy. Very foggy. I was reminded of Carl Sandburg’s famous poem, and used that as a hook.

Sandburg speaks of fog
I see the cat this morning
shining bright car lights

As I pulled into the parking lot at school, the sun was trying to poke its way through the fog and mist. You could just make out the rays extended through the cloud cover. I know it was illusion, but it looked like strings from a balloon.

Defused sunlight drips
like tether lines off balloons
we chased as children

Before the kids arrive, and as I am getting ready for the day in my classroom, I often play (crank/blast) music in my room to gear up. I chose The Gaslight Anthem, a hard-rocking band that echoes Springsteen.

The Gaslight Anthem
soundtracks my morning with blasts
of blue-collar lives

I turned off the music as the clock struck 8:30 a.m. and then …

Noises in hallways
breaks the silence of morning
the day then begins

During our writing time, I watched the room, observing my sixth graders, writing lines myself.

They’re all poets now
carving out space between words
rhythmic thoughts collide

After the writing, there is the independent reading of novels. I’ve been amazing at how quietly and focused they can read for extended periods of time. (OK, so not everyone. But most of them)

Silence gets broken
only by pages turning
slowly, in their minds

The temperatures outside were reaching 70s by the end of the day and even I was looking wistfully out the window.

Inside; the Outside
beckons you to stare, helpless
as Spring comes alive

And finally, the kids went home, the school calmed down, and I closed up my classroom, walked outside to my van. I closed my eyes to take in the sun. Now, it is family time.

Out into the air
the building releases me
my mind shifts its gears

And that is my school day in haiku. If you are up for it, and you want to comment as haiku, I would be thrilled. (no pressure)

Peace (in the poetry),
Kevin

 

Book Review: The Genius Files

the-genius-files-mission-unstoppable

I suppose The Genius Files: MIssion Unstoppable will appeal to some core readership. Probably boys who value action over anything else. Dan Gutman has set in motion a kid spy novel series (featuring twin brother, Coke, and sister, Pepsi) that mines the genre thoroughly. Danger? Check. Killers after our heroes? Check. A cross-country adventure? Check. Lame parents who are clueless to the activities of their spy children? Check. An evil villain? Check.

Exhausted by the tropes? Check.

I was hoping for more, particularly since my son recommended this one to me. (He has read the second book in the series, too.) I guess I could not get into Gutman’s style of writing. What hooks me into novels are writing that flows, vocabulary that enhances the storytelling, characters who grow and whom I can believe in, and something that will keep me hooked right the very end. With The Genius Files, I was wondering when the book would end, not what would happen to Coke and Pepsi.

That’s not a good thing to be thinking as a reader.

I did like the geography connections. As the family goes on a cross-country trip in their RV, they take detours to strange places in America (Mom is a blogger who writes about the bizarre tourist sites in the country), and Gutman provides information in the margins of the book on how to use Google Maps to follow the adventure. As Gutman notes in an author’s note, the places referenced in the book are all real places in America. That’s a good point to make for young readers.

Gutman puts out a ton of books and a lot of those books appeal to our boys, so I don’t want to be too harsh here. There is an audience for this kind of book. And I hope that readers of this series will be intrigued enough by the genre to move to other spy novels and other mystery stories, and maybe even other Gutman books. For the reluctant boy reader, The Genius Files might be a hook to keep them reading.

Peace (in the book),
Kevin

 

Slice of Life: Overheard in the Van

I had the “pleasure” of driving five eighth grade boys to AAU basketball practice last night (and then, did some grading before picking them up and bringing them back home). Our five families are splitting the driving chores, and last night was our night. I quickly realized how big these kids have gotten in the past year as they crammed their way into our van, like clowns in a clown car. They were just missing the make-up.

For the most part, I just listened in to their conversations. Some of the things these eighth grade boys chatted about:

  • The difference between “smart math” and regular math classes.
  • How one of them was sent into the hallway for talking (“so unfair!”) and then when told to go then go to the vice principal’s office, refused to do so (“I just went back in the classroom and sat down at my desk. She didn’t do anything.”)
  • What cell phone carrier everyone had, and the relative merits of each.
  • Whether or not the new basketball jerseys they received from their Suburban basketball team is a  “sweater” or a “fleece” or something else.
  • How a friend of theirs dropped their iPod in the hallway at school, watched it get accidentally kicked down the hallway, and then when he finally retrieved it, he accidentally stepped on it, cracking the glass. (“You know how mad he gets, too. It was scary.”)
  • How they were “fooling” a mutual friend into thinking two of them had a fight with each other. It appears to be an elaborate ruse.
  • Whether baseball is a better spring sport than lacrosse but how basketball beats them both.
  • Whether the history homework was really due today (and if so, they needed to work on it when they got home)
  • How to take on a bigger person when you are playing one-on-one, playground-style.
  • Whether this year’s AAU team has any promise.

I had the windows cranked open as we drove home. They smelled like a sweaty gym. (Which, of course, was the source of many jokes). And we we listened to the final minute of the UMass vs. Drexel game in the NIT tournament as UMass clawed its way back from a 17-point deficit to win the game and move on to Madison Square Garden for the NIT. There was a collective “whoop” and then it was back to other topics.

Peace (in the front seat),
Kevin

 

Book Review: Transitions

14 Feb

A few months ago, a teacher friend down in Maryland with whom I have had a collegial partnership with over the years (see The Longfellow Ten for one of our collaborative classroom adventures) told me that his students had created and published a book of stories, and would I be willing to pass it along to some of my sixth graders? He hoped they might review the book. I did, and the few who read it really enjoyed it.

The book of stories is called Transitions, and it was written and illustrated by eighth graders in George Mayo’s class. It is only now that I have had a chance to spend some time with the book, and it is wonderful. The introduction by Zoe sets the stage for the stories to follow, as she explains that the theme of the writing was to capture characters in transition. “Life is full of obstacles,” Zoe writes, and the stories show how characters learn to overcome or at least deal with those hardships.

My favorites were “The Little Clouds That Could” (about friendship); “Jungle Friends” (about acceptance of differences); “Topler” (about doing the right thing); and “Everything Is Going to Be Okay” (about divorce). The stories were strong, the characters were interesting, and the theme rang through over the course of the collection.

Oh, I should mention the artwork, too. Wow. I was blown away by the detail and the quality of the drawings that go along with these stories. The colorful hand-drawn pictures make this book a real pleasure to read and experience. These young writers should be proud of what they accomplished, and I would highly recommend a copy of “Transitions” for any elementary and middle school classroom.

Peace (in our transition),
Kevin

PS — here is what one of my students wrote about the book:

I just recently read the book Transitions. I really enjoyed the creativity and was astounded at the fact that it was written and illustrated by an eighth grade class. I liked the book because it had answers to real life situations and made you look on the bright side of your life. Also, it was broken into 7 different stories witch were all different so , many questions were answered. In the end I think that the book was fantastic and that the class did a great job. Read to find solutions if your life takes a scary, bumpy road and you will be brighter.

- Rowan, sixth grader

Slice of Life: Analyzing Student Writing Data

 

I’ve been trying to use more data in my analysis of my classroom instruction. I’m not obsessed with the numbers, but I have been convinced that the use of data can help me think about how to bring my students along. I suppose this idea has its roots in the vast amounts of numbers now being provided by our state from our standardized testing. That information has been helpful in identifying overall weaknesses of our school and that has helped me make some shifts towards open response, non-fiction reading and more.

This year, our principal asked our team of teachers (our Community of Practice) to set an ELA goal early in the year. We decided that our goal would be around open response writing to reading, which is something I have been doing yeoman’s work around this year and last year with my students. I see the difference in the quality of their writing. Anyway, our goal was that 80 percent of our sixth graders would be “meeting the standard” of our open response rubric by January. (The “meeting the standard” is connected to our standards-based reporting.) I’ve been keeping charts of how all of my students have been doing as a way to document their growth.

 
Literature Open Response Sept11
In September, after administering an open response question to some literature, this is what the numbers looked like.  You can see that only 7 percent of my sixth graders were where we needed them to be. Many were in the “progressing” stage, which is what one would expect at the start of the year. What the numbers don’t show is that the writing across the board was pretty weak. They had trouble with using evidence to support their answers, with showing connections in the text, and with using critical thinking skills for analysis.

 
Japanese Paper Houses dec11
In December, that gap began to close. Notice in this next diagram how the shift began to move from various sections, upward. That was a good trend. But we were still far away from our January goal.

 
China Warrior Open Response march12
Two weeks ago, they were given another open response assessment. On one hand, we’re nowhere near our goal of 80 percent in the Meeting category, and I am wonder if that was even a realistic goal for us. On the other hand, notice how few students there are now in the lower bracket — the Beginning to Understand category — which is where our struggling writers have often found themselves. We’ve worked hard on graphic organizing and structure, and that is paying off for a lot of kids. And there is a slight shift from Progressing into Meeting, just not nearly enough.

So yesterday, I began to ponder my own roles. Am I being consistent with my scoring from September through the present? (I think so). What does it mean if not everyone “meets” the sixth grade standard around writing? What else can I be doing to support the development of my students as writers and thinkers? I think, as teachers, this kind of internal inquiry never ends. I feel like I am in a constant state of trying to make my approach more effective and more engaging for my students.

Peace (in the sharing of the data),
Kevin

Book Review: Dead End in Norvelt

I’m not sure what to make of Dead End in Norvelt, by Jack Gantos. On one hand, it’s an interesting story of a small town in Pennsylvania with deep history coming towards an end of something. On the other hand, I wasn’t all that smitten with the writing, even though I wanted to like the main character — Jack — and I wanted to be drawn into the shenanigans of the town.

I know Dead End in Norvelt won the most 2012 Newbery Award, but I’m not quite convinced it was the best YA book out there.

Still, Gantos weaves some funny lines and paints a descriptive picture of the small town nurtured by Eleanor Roosevelt herself (she hovers in the distance like some fairy godmother) as the original members of the town of Norvelt start to drop like flies in the summer of 1962. Jack, grounded for the summer after shooting a hole in the town movie screen and destroying his mother’s corn crop, is only released from his “captivity” (of reading history books) to help an elderly woman (Miss Volker, an oddball character full of life and history and perspective) write the obituaries of the elderly citizens when they kick the bucket.

A mystery ensues, and Jack is caught up in it all.

Jack’s voice as the narrator is dry and funny, and his interactions with his mother and some of the elderly people around town are amusing. But his constant nosebleeds turned me off (I still don’t quite understand the purpose of it) and I never really connected to the character of Jack’s dad, who desperately wants to leave Norvelt for Florida.

Again, I have mixed feelings. I don’t feel like I wasted my time with Dead End in Norvelt, but I was left feeling like I wanted something more out of Jack and his story of the summer when everything seemed to change. Gantos, who grew up in Norvelt and whose main character is Jack Gantos, doesn’t quite deliver.

Peace (in the small town),
Kevin

 

Slice of Life: Ridin’ with the ‘Wrecking Ball’

My youngest son spent the weekend with my father, who lives about 90 minutes away. He regularly takes one of the three boys for an overnight visit, coming to get them from our house and then I go pick them up. Before I jumped in the car, I downloaded the new Bruce Springsteen album to my iPod. I figured this was the perfect time to give it a listen, in its entirety.

I hit the highway and hit the volume, and soon, I was cruising south down Interstate 91.

I’m a fan of Springsteen, although not one of those rabid ones who thinks he some sort of rock god. I often have mixed emotions on his albums. Most have one or two great tracks stuffed in with some fluff tracks. The one album of later Bruce that I hold in high regard is The Rising, which he wrote in the aftermath of 9/11 and still chokes me up sometimes when I hear some of the tracks. His ability there to bring the listener into the lives of characters experiencing profound loss and sadness … and hope, even, is something often missing in modern songwriters.

Sprinsteen’s latest album, Wrecking Ball, is another mixed affair. With Bruce returning to his tried and true themes of economic disparity and political corruption and the state of the American Dream (and using more studio work to layer his sound, echoing the Born to Run days), the album skewers the fat cats on Wall Street and mourns the loss of opportunity for the blue collar folks in our country. There’s a real Celtic edge to this album, too, which no doubt reflects some of the work he has done in recent years around the songs of Pete Seeger and that live disc recorded over in Ireland.

And Woody Guthrie’s words and voice seeps through the album, too. As does the saxophone of the late Clarence Clemons, whose sax part was engineered into the song,  Land of Hope and Dreams, after he had passed away from complications from his stroke. (Bruce gives an emotional interview about Clemons in the most recent Rolling Stone magazine, too. It’s touching the relationship and friendship that Bruce and Clarence had developed over the decades together.)

I didn’t skip any of the songs on the first listen, but on round two, I found myself centering on just four or five songs. While the song We Take Care of our Own is getting the spotlight because its a message that the song hammers into your head, I think the title track — Wrecking Ball — is the much better song. There’s a moment in the song where the band pulls back, and Bruce’s words come to the forefront. It’s a reminder of the power of a few lines, and the poetry of songwriting.

Now when all this steel and these stories, they drift away to rust
And all our youth and beauty, it’s been given to the dust
And your game has been decided, and you’re burning the down the clock
And all our little victories and glories, have turned into parking lots
When your best hopes and desires, are scattered to the wind
And hard times come, hard times go ….
Yeah, just to come again

By the time I got to my father’s house, I was immersed in Springsteen’s music and words. Sometimes being alone with music is the best way to spend your time alone.

Peace (with Bruce),
Kevin

 

On Reaching and Nurturing Teachers as Writers

 

I’m going to try to pull a few different strands together here …

PART ONE

The other day, I was invited to present at a school district to the north of me. My focus was on the expanding definition of literacy and how the four strands of English Language Arts (writing, reading, speaking and listening) remain the center of the new Common Core standards (which our state has adopted and adapted) and the concept of 21st Century Skills (re:technology). The district wanted me to focus on how I nurture and value writing in my own sixth grade classroom.  I began the session with what I thought might be a good opening — I asked the crowd of about 45 teachers (mostly 4/5/6 classroom teachers) what their philosophy around the teaching of writing is.

I was not ready for the silence.

You could hear a pin drop.

I am not sure if my question was unfair to them at that point in the session or whether they have not really had the time to sit down and think about this issue, and articulate a philosophy. I don’t want to make any judgments. They were an attentive group of educators, with lots of questions and insights as the day moved along. They were very engaged, and they wanted to be there. (Sometimes, that is not the case). But I keep thinking back to my question and the lack of response, and what it might mean in a larger picture.

I did try to articulate my own philosophy around writing and literacy in the session. Here is what I share with parents and students, and which is part of my classroom curriculum website:

  • The act of writing is an important way for students to learn by processing their ideas into coherent and organized form;
  • Writing should be done across various curriculum areas and not be taught in isolation;
  • Students should write for various audiences; At times, they may write just for themselves, for the classroom or, sometimes, for the world;
  • Technology can be a useful tool for composing various forms of writing and media, including audio podcasts and video;
  • Writing should be authentic and allow students to make connections between school and the world outside of school;
  • Artistic elements and the concept of design play a role in the way that young people compose writing and other media;
  • Reading quality books and stories of various genres provide an insight into the writing process and allow students to reflect, connect and utilize critical thinking skills;
  • All students can succeed and improve as writers and readers and composers of multimedia.

PART TWO

A day or two later, I picked up my latest edition of Voices from the Middle journal from the National Council of Teachers of English. The theme of the March 2012 edition is “Preparing our Student as Writers.” This is right up my alley! But something struck me in the introduction by the editors (Diane Lapp, Doug Fisher, and Nancy Frey). They note the results of a survey they administered to about 120 practicing teachers in summer courses they taught.

The teachers were asked questions such as how they define themselves as writers and do they like writing and teaching writing?

“The majority reported they did not enjoy writing, did not believe they were good writers, and did not believe they were well-prepared to teach writing.” (p. 8 )

Yikes!

Is that just a fluke of the teachers in their programs or is that an indication of something larger among teachers?

PART THREE

This brings me to two personal observations.

First, most of the readers here know that I am part of and a strong advocate of the National Writing Project, which is built on the premises of teachers as writers, and writing to learn. Now, more than ever, as many states make the shift to standards that have writing and research and analysis at the center of classroom instruction, organizations like the NWP that support and nurture teachers as writers, and allow for reflection for how to bring those skills into the classroom, are more important.

And more in danger than ever, too.

The NWP lost all of its federal support a few months ago during budget cuts, but recently, it received some back through the federal SEED initiative. Teachers need support networks and places to share expertise and learn from each other.

Second, I began thinking of the Slice of Life challenge that has been going on this month over at Two Writing Teachers. Each day, more than 100 educators are now writing, and sharing, and commenting, and creating a writing community. Some days, the numbers reach nearly 200 posts, plus countless comments that writers are leaving for each other.

This is a huge jump from other years of Slice of Life, and it shows how technology can transform writing practices for teachers. Ruth and Stacey, the wonderful overseers of ideas at Two Writing Teachers, have really nurtured a lot of teachers who sometimes express in their posts their fear of writing in a public space coupled with a desire to see themselves as writers, if not just for themselves then for their students. They are diving in with Slice of Life, and hopefully, they are experiencing something transformative.

Teachers, as well as young writers, need places to be nurtured as writers. Formal organizations like NWP and informal networks like Two Writing Teachers and countless more that are out there in the world are making a difference. If you have been on the outside looking in, come join us with your own writing and then reflect on how that experience as a writer might shape or reshape your own teaching instruction with your students. Writing is more than writing for the classroom. Writing is about making sense of your world.

Peace (on the soapbox),
Kevin