Making Stopmotion Movies, part 2

This is the second post around making stopmotion movies with my sixth graders (see the first post) and I want to talk about how we actually did it. My hope is that one of your (dear readers) may want to replicate or build on the experience and so my path may help you along on your own movie-making journey.

First of all, I launched into this project because I received an email and a phone call from George Mayo, another middle school teacher who has done some wonderful collaborative work in the past (see, Darfur awareness project). He and I have communicated about claymation and I showed him a few ways to get started. Now, he runs a movie club and his kids began making stopmotion movies around literary terms as part of a secret collective called The Longfellow Ten. He wondered if I might want to have my students join in the fun. So, I scrapped one of my projects and moved into moviemaking. How could I not?

But I knew with four classes of students (about 75 kids), it would be hectic. And a bit crazy. And also a great time. (It helps that I have done claymation a number of times now, including summer camps. I would not have launched into something this big without those experiences under my belt).

I began by showing my students the short films that George’s students had already published and talked about what stopmotion is. Luckily, just about everyone has seen Wallace and Gromit, so there is a common thread to talk about (and, one day when I was out, the sub showed them the Behind the Scenes of the Making of The Curse of the WereRabbit movie — an incredible documentary of the work that goes on — it’s on the movie DVD).

My students then either got into small group, or worked independently (no group bigger than three — that’s my rule). I handed out slips of paper with literary terms (such as plot, setting, foreshadowing, etc) and their job was to build a movie that discussed, defined or demonstrated that term. This all begins with storyboarding out their story, conferencing with me, and having a clear plan of action before they even touch the computers.

Once they are ready to start shooting their videos, they either brought in their own toys from home or used the box of my own sons’ toys (shhhhh … they don’t know the box is missing). We use a freeware program called StopMotion Animator and inexpensive webcams for the initial frame-by-frame shooting. I like the software because it is pretty basic to use. It saves the video as an AVI file, which then later, the students bring into Microsoft MovieMaker for editing. (Although, you may need to use a Codec encoder in order to move the raw footage into moviemaker. If so, I use this one called Xvid)

Here is what I preach every single day, ad nauseum: patience. If they can be patient, and move their objects slowly, and capture a lot of footage, then their final movie will be of higher quality. I also tell them to film more than they need, since they can always edit out footage but adding new footage in is difficult (you have to reset the scene, etc).

In MovieMaker, they edit out their inadvertent hands, add titles and credits, and insert transitions between scenes. Then, we plug in microphones and they begin their narration. The syncing of voice to video can be difficult and it requires … more patience and also, some editing on the fly. I often show them how to use video effects to slow down footage or to capture a still image to insert into the video in places where more dialogue is needed.

We then gather up their project (usually only a minute or two long at most) and create a video (use the DV-AVI setting in Moviemaker for highest quality). For some groups, they are done. For others, however, they can make their own music soundtrack and we use a software program that I bought called Super Dooper Music Looper, which allows them to use loops to create songs. They love this software! (But George has also shown me a few sites that allow use of music, too: CCMixter and Freesound).

If they want to add music all the way under their movies, they need to re-import their video (with narration, titles, etc) and then layer the music, and then make the video a second time. Phew. There are a few steps to this process, aren’t there?

The result? A student-created movie from start to finish. In part 3 of this reflection, I will talk about how George and I are posting the videos online (hosting and publishing) and then, in part 4, I will talk about the task I now have of assessing their work — for this is a graded project, with parameters that I established at the very beginning of the process.

Peace (in sharing),
Kevin

Stop-Motion Lego Exploration

Yesterday, I finally got some students working on using our stop-motion software (it’s free for PC!) on the laptops. I carted in a HUGE bucket of Legos from my kids’ closet (don’t say a thing … top secret) and let my students just explore the use of creating short stop-motion movies.

In about 30 minutes, all five groups had created something and most had begun to understand how to capture frames, how to get your hand out of the way (crucial) and how to be incremental in your movements of objects.

This will all lead us to a Claymation Project very soon (this year’s theme: climate change).

I uploaded two small Lego Movies via Flickr and share them here. These are raw — no sound or anything. So, hum a little song in your head as you watch, OK?

Peace (in ssssslllllllloooooooo mmmmmmmooooootttttiiiiioooooonnnnnnn),
Kevin

Behind the Scenes of Stop-Motion

I just found this pretty neat video that brings us behind the scenes of the making of a stop-motion animation movie. I got the link from a great site called AnimateClay, which always has interesting resources for those of us interesting in exploring the world frame-by-frame.

Peace (in frames),
Kevin