I know I’m a sucker when book publishers spend a lot of money to promote the message that “this is a book in the tradition of …” and then fill in the blanks. It doesn’t always live up to the hype (I’ve gone through a few “just like Game of Thrones” novels to much disappointment). Still, I saw the hype over The Girl on the Train (in the tradition of Gone Girl) and used a gift card that I received over holiday break to get it. I figured, this isn’t costing me much.
It was worth every penny I didn’t spend.
The book is good, although the echoes of Gone Girl are a little too strong at times (someone missing, multiple voices, unreliable narrators). The narrative frame of views of something odd taking place (it’s a thriller) as seen from the commuter train, and then allowing characters to only chime in during the morning and evening commute times, gives the story a definite rhythm (like a train), building to the dramatic points at the end of the story. I won’t give it away. Promise.
Does The Girl on the Train hold its own? It does, and newcomer writer Paula Hawkins constructs a tightly-wound plot, bringing us into the heads of female characters with variable troubles and views on the world, even as things start to fall apart on them all (some, more than others).
Peace (on the tracks),