I can’t say I am a diehard Roots fan (I have the album they recorded with John Legend … it’s very good), but what I have heard, I have liked. And I know that Questlove (Ahmir Thompson), the drummer and co-founder of the Roots, seems to often be at the center of musical circles and an insightful writer about culture from the hip-hop viewpoint.
His memoir (a format he liberally plays with here) is called Mo’ Meta Blues, and it is a rich journey into more than just his personal history in music (The Roots are now Jimmy Fallon’s house band). It is also an insightful look into the history of hip-hop, with a Philly perspective, and of modern Black music and Black identity.
Music has the power to stop time. When I listen to songs, I’m transported back to the moment of their birth, which is sometimes even before the moment of my birth. Old songs, rock or soul or blues, still connect with me because the human emotions in them, whether jealousy or rage or hope, are recognizably similar to the emotions that I’m feeling now. (Ahmir Thompson, Mo’ Meta Blues, page 272)
I appreciate the humanity and humor Questlove brings to his story, and the way he shows us a band that often struggles to find an identity in the changing pop culture landscape and then keeps true to its heart and reforges its identity, time over time, and yet still clings to a vision of music as a powerful force in nature. They’re after bigger game than the next hit. It’s a bumpy ride for the Roots, and yet, they remain a viable force on many levels.
Peace (in roots),