The new De La Soul album — And the Anonymous Nobody — is interesting in the way it was made — after years of legal wrangling over use of samples of other artists to create the backbone of its music (as hip hop often does) — the old-school band decided to launch a Kickstarter campaign to pay for recording a funk band for hours on end, and then to use samples from those studio recordings as the basis for its new songs, instead of relying on samples.
“What we’re doing … is farming the recordings for samples … and creating new music,” says the narrator of the video.
This is a video documentary of the band’s efforts. I find it interesting because, well, I like the band well enough (and bought its album), and I am interested in the significance of this shift away from hiphop roots (of sampling others), even if the move by De La Soul caused by the legal climate of record labels being very litigious.
The age of the remix is fraught with these difficulties (although educators and students have more leeway). But one lesson here is that making your own beats and music for your own songs is worth doing, even if it adds time and planning to a project.
Peace (it’ll be here),