Yesterday, I shared the song I created after reading Terry’s poem. This morning, after reading some lovely comments from him about process and time and effort, I went back into my sound project and began to annotate where his words influenced what sounds. I found it a useful bit of reflection and I suspect Terry might find it a bit intriguing, too.
Note: Shrinking the project to see all the tracks made everything tiny. Apologies.
What I find interesting is how I was both trying to capture my own feeling of reading Terry’s words but also being intentional in taking it in a new direction. If you read his poem, you should hear some of his moments. You may also wonder what I was thinking, as you listen to other elements. Mostly, I was trying to capture the heartbeat of his piece.
Doing this kind of work brings you deeper into the text, a closer kind of reading. Every word has the possibility of something to give. I hope Terry enjoys the interpretation, left for him as a gift for his birthday.
Oh my gosh. This whole concept just gets me thinking and dreaming of poetry. I wrote a poem nearly every morning (I do it over here) but these talented folks set up with typewriters and write for hours, as people come up and ask for a poem on a suggested topic. The poems are just marvelous and what’s missing with the book is the sound of the typewriters in action (there should be an audio file on the cover that you can push to listen as you read.)
Here’s a video of four hours of typewriting ..
Anyhoo … Typewriter Rodeo, the book, seeks to capture the experience of Typewriter Rodeo, the experience, where the four poets — Jodi Egerton, David Fruchter, Kari Anne Holt and Sean Petrie — set up at festivals, Maker Spaces, bars and restaurants, and special events, and write poemspoemspoemspoems for people, sometimes for hours. It seems like magic. (Special thanks to my friend, Mary Lee, for turning me on to Typewriter Rodeo)
The book collection here — Typewriter Rodeo: Real People, Real Stories, Custom Poems — is full of the poems written on the fly with little more than a word or phrase, and quick connection between poet and audience — or at least, the ones they have remembered to take a picture of before the poem leaves in the hands of the requester. The four writers tell stories of their experiences as poets-on-demand (“The mistakes are free” is one of my favorite mantras of theirs), and some of the poem recipients also share stories. In fact, what emerges is how many people are surprised at how deep the poetry goes, capturing their emotions and thinking in a way that no other writing-from-a-stranger can probably do.
The result is this beautiful, crazy collection of poems — heart-felt, deeply emotional, funny and insightful, and it makes me want to set up a typewriter on the neighborhood corner and write on request, as if I could pull that off. (Hey, maybe I could! You could, too!)
Every morning, in October, I used the daily place-based theme of the day for CLMOOC and Write Out to both write poetry (at home, before work) and doodle (at school, with kids). While I was posting the small poems at my poetry site, I wanted to find a way to gather them together, to curate them, with the calendar that Wendy had built for us in CLMOOC with every theme listed.
I had the idea of adding an audio version of each poem to the days, but never got to it. Yet. I might still do that, since it is easy enough to upload audio into each tagged item in ThingLink.
Also, here is my complete calendar of daily doodles from the classroom — there’s no real correlation between my doodles on the themes and the poems on the themes, other than both were inspired each day by the same theme.
Peace (day by day, poem by poem, doodle by doodle),
We had nearly 30 small poems written and shared in our open Google Slides for the Write Out project. I gathered up the files and used SoundSlides to create a short video of this wonderful collection of words and images and collaboration.
After a week or so of asking (cajoling, sometimes) folks to record lines and stanzas from the collaborative Where We’re From poem (with lines submitted by more than 100 people during the first part of the Write Out project), the last track was delivered, put into place, and the collaboration … is complete.
There were 25 people who submitted voices (well, technically more, since Kim D. had her entire class of young students reading) and recording tracks to this collaborative poem, which runs nearly 13 minutes long. That’s a bit to listen to, but the effect is what we had hoped for — a quilted collage of many voices reading a poem written by many people, about place and home and family and more.
When we talk about connected learning ideas and collaboration, we hope that this kind of project is something that can inspire us to create together, to make together, to publish together. Sure, there are problems — some of the audio files sound different because of the myriad of apps and microphones. We did our best to level things out, but there’s plenty of rough spots.
That gives the audio poem charm, though. People are different, and our voices are different, and the audio collage reflects that in meaningful ways. If you participated in any aspect of this — from writing lines, which were dispersed and gathered in themes of stanzas and sections to recording assigned parts — thank you.
For Write Out, we’re inviting you to add a haiku or any other small poem to a collaborative slideshow now underway. It’s simple — just grab a slide from the Google Slides, write a small poem, and add an image to go with your poems. The more, the merrier.