What My Students Are Reading

We moved into an independent reading unit this week, and as my students sat around in a circle yesterday and shared their titles and the first sentence of the book (as a teaser), I made notes of the titles that they had chosen for themselves. I have read about half of them, and know about 25 percent more of them, but a few of the books have not come into my radar before.

The books I had not heard of before include:

  • The Secret Society of the Crystal Ball
  • Soul Surfer
  • Dewey the Library Cat
  • Shiver
  • You Wish

My goal is to put this list of books up in the room (and also, at our class blog site) as a resource for all four of my classes, for times when they are in the process of choosing a book to read.

I could not help but notice a few classics on the list:

  • The War of the Worlds
  • The Adventures of Tom Sawyer
  • Treasure Island
  • The Phantom Tollbooth
  • White Fang

Wordle seemed an apt way to highlight the book titles.
1book
2book
3book
4book

Peace (in the books),
Kevin

Considering the National Day on Writing

I’ve agreed to be on a task force with the National Council of Teachers of English (NCTE) to brainstorm and coordinate more outreach efforts for the third annual National Day on Writing that takes place this coming fall. This week, we will have our first phone conference and our coordinator sent along some interesting data to help guide our thoughts. This data (most of which comes from the 2009 Day on Writing, as the most recent 2010 data is still being sifted) comes from the National Day on Writing Online Gallery.

At the Gallery:

  • There are 29,058 submissions have been published (that’s impressive, isn’t it?);
  • There are 3017 galleries (including 2994 local galleries — such as teachers and schools — and 23 partner galleries — such as larger organizations like the National Writing Project that partner up for the project);
  • The majority of published work is student work, from school-based assignments (In 2009, there were more than 10,000 writers from the age range of 13 to 22 while there were about 2,000 writers from ages 30 to 60);
  • (For 2009’s Day on Writing) most of the writing was done with a word processor (11,000 pieces) while only a few used multimedia (137 used video and 11 used audio). I’d be interested to see if these numbers started to shift in 2010;
  • Most of the writing came under traditional genres (short stories, poetry, etc.);
  • Very few galleries were represented from organizations outside of schools and education (ie, community groups);
  • There are plenty of empty galleries that folks set up but never used.

As I mull over what I can bring to the conversation, I was thinking:

  • I love the concept of capturing writing in all of its glory and power and beauty through a National Day on Writing, particularly the emphasis on daily writing that we do without thinking about it;
  • I wish the online Gallery website were easier to navigate and easier to use. There seem to be too many data point questions to get to the actual submission page (but that data yields information like what I just shared);
  • It drove me crazy that I could not  “embed” media (such as a digital story, or an audio file) right into my submission page. Everything had to be linked to another place outside of the Gallery. I think it is fair to say that most people will not follow those links, but they would watch or listen if they could do it right there on the Gallery page itself. Does the Gallery infrastructure allow for this?
  • The look and feel of the Gallery site is, as one friend put it, like a throwback site from the 90s. I don’t know anything about the resources that are available to NCTE but it seems like the site itself could use a little more oomph.
  • I’m not all that crazy about the homepage design. It is a large library and while I love and adore libraries, it is not quite the message of 21st Century that we want to send. At least, the image should have some technology component along with the stacks of books. Most libraries have made that transition.
  • Given the day of interactions between readers and writers, isn’t there a way to allow for comments on writing? (this may not be within the mission of the effort, though, and the question of moderation would surely come into play).
  • There must be a better way to search through the Gallery — can we create a “Stumble Upon” style of navigation for the site, I wonder. Or a “Surprise Me” feature? I’d like that.
  • If teachers like me are using the Day on Writing to celebrate writing, are students buying in? or is it just another writing assignment? And how can we tell? (We can’t.)
  • I wonder if people even come back to the Gallery to read during the rest of the year? I’ll ask about that kind of data. My guess is that folks submit writing, publish to the site but don’t do all that much reading. The danger is an empty space of writing, right?
  • It would be nice to have a writing showcase are at the Gallery — right on the homepage — for a variety of different kinds of work. That might invite more folks in to look around.
  • How can we best use the tools of social media (Twitter, Facebook, etc.) to encourage, invite and promote the National Day on Writing? This is an area that I will be thinking most deeply upon.
  • How can we promote the idea of the Day on Writing to groups not directly affiliated with schools? I am thinking of YMCA, Boys and Girls Clubs, Scouts, etc., who might find the initiative valuable but either don’t know about it or know how to access it. This might be a “branding issue,” too, if this effort seems to be only school-based.

I’m really looking for ideas from any of you, dear readers, about how to improve the Day on Writing and the Gallery experiences. If you have thoughts, I would love to hear them. Just write me a comment here and I will be sure to add them into the conversations this week.

Peace (in the writing),
Kevin

An Audio Interview with my Blog

I am keeping an eye on the Teacher Blogging Challenge now underway with Edublogs and saw this post by Ann, asking advanced bloggers to be reflective on their blogs. One of the options was an interview with your blog, which struck me as fun and odd (something I can’t resist).

So, here I go, and I included an audio version, giving “voice” to my blog with some effects to separate the interview from the interviewee.

Listen to the “interview”

1. Good morning. Are you always up this early? I’m always up. I’m a blog.

2.  True. Well, I hope you don’t mind that I am going to drink my coffee while we chat. Now, your name is Kevin’s Meandering Mind. Can you give me the lowdown on your name? Certainly. When Kevin created me, he didn’t really know what he was going to write about. He knew that teaching would be part of it, and writing. But he figured that music and some other areas that he is interested in would also come into play. That led to the meandering.

3. And meander it does. I’m surprised you have any faithful readers. Do you worry that covering a wide range of topics might be, well, confusing for the reader? It is a potential issue but I think Kevin often writes for himself, as much for an audience, and he has some faith that readers can come along with him. If not, they can make that choice. But I am grateful for readers who come around on a regular basis, particularly those who make comments and leave notes.

4. Do you encourage comments? Of course! I’m a blog! Comments from readers are what we crave. Of course, I have my trusty spam filter, too, so not all comments come to my attention. I really don’t need new shoes or desire to send money to someone on the other side of the world. Not that I have money.

5. So, your blog does not generate revenue with advertisements? No. We don’t do that. In fact, Kevin pays to keep ads off of me. Some of my cousins out there do have advertising tattoos, but I would rather do without them. And Kevin agrees.

6. So, why does Kevin write on you? He writes because he is a writer, and he has found that our partnership — him, the writer, and me, the blog — gives him a chance to explore, compose and connect with others like him in the world. He’s been writing for years, but never quite like this. I think I opened up a door for him that will be difficult to shut. Plus, he often uses me to explore sites and technology that he is considering for his classroom.

7. You’re some sort of techno-guinea pig? That’s a harsh way to put it, pal. But I suppose it’s something like that. I don’t mind. It’s what I do.

8. How long have you been around? More than six years. Can you believe that? Kevin started me up after a week-long technology retreat with the National Writing Project. A friend of his who had been blogging (and still does, I should add) in Washington DC urged him to start a blog. In fact, he had already been doing blogging with his students. But I was his first push into a personal blog. It’s been a nice partnership.

9. What advice do you have for all of those new blogs out there? I’d say find a niche, but you know, I never really have. So, instead, I’d suggest you find a voice. Establish a voice and project your thoughts into the world.

10. It’s been nice chatting with you. Any last thoughts? It’s been a pleasure. Kindly take that coffee cup off the mouse pad, would you? I don’t want you to leave any lasting impressions with the interview.

Peace (in the conversations),
Kevin

Thinking: Mentor Texts and Digital Composition

My friend, Franki Sibberson, has me thinking about mentor texts and how they can be used in the classroom for digital composition with students. She has me thinking because we are part of a group trying to pull together a proposal for the NCTE Conference in November, with a focus on elementary levels.

And since I was already doing this thinking, I figured I would adapt that same idea for a session I will be doing next fall for the New England Reading Association around New Literacies. The idea of using some “mentor texts” that can provide examples, and inspiration, to students who are working with digital tools for composition seems more important than ever, given where we are in the development of technology in learning environments (relatively early in that stage, I would say).

So, I’ve wracking my brain a bit, thinking of how I have done this without really naming it as “mentor texts” all that often. Here are some of the things that I came up with:

  • When we launch into our Digital Science Picture Book Project, I always turn to The Magic School Bus series for help. If you look closely at the original series of books (and even some of the Scholastic series), the various levels of text and information going on all over the place — the paper multimodal-ism — you realize quite quickly how layered it is. And for our digital books, which uses digital tools to layer in animation and information and a fictional story, the Magic School Bus books provide a perfect launching point, particularly because of the array of other non-book materials that followed the books: video games and television shows, etc. Here, the concept of science told through story with a sense of humor is a great mentor text. (See my work around Digital Picture Books at the National Writing Project’s Digital Is website.)
  • Last year, I decided I really wanted to have my students write a challenging story that brought the reader into the fold. I had them create Make Your Own Ending stories, using a wiki, in which stories would branch off in various directions for the reader through the use of hyperlinks. The mentor text we used to demonstrate this was one of the Make Your Own Ending novels (which are now being revamped and re-issued, I see). We also talked about some of the Goosebumps series that did the same thing, often through the use of Second Person Narrative (which was a lesson plan within the project, and great way to talk about Second Person). I also recently reviewed a graphic novel series that does the same approach, combining narrative text with graphic text, with the reader making choices on which way to go. (See my website about making Make Your Own Ending stories in the classroom).
  • Making stopmotion movies is very engaging for students, but they often need a sense of how long and how meticulous one needs to be to produce a quality video. Therefore, we often turn to the creators of Wallace and Gromit, watching some of their short videos (and noticing how polished they become over the years) and then, I show them a neat behind-the-scenes look at the making of The Curse of the Were-Rabbit feature film as a mentor “text.” From there, they film and publish stopmotion movies (usually, with a literary theme) to the Longfellow Ten collaborative website.  (See my Making Stopmotion Movies)
  • An Exquisite Corpse Story is a collaborative venture in which one person begins a story, and another adds to it, and then it gets passed along. (The Folding Story activity that I have written about recently is a small version of the Exquisite Corpse). Last year, we turned to a website that featured a year’s worth of well-known authors (at the Read.Gov website) whose task was to write a new chapter to a story every other week. Although we did not last the year, my students followed the story closely for about three months, and were writing right alongside the published authors, too. We even podcasted a Voicethread of a chapter as written by students. This mentor text, which unfolded for us online, then led to a collaborative story project in which we used a wiki for writing. That activity was strictly voluntary, but they had the Exquisite Corpse saga (in all of its strange glory) in the back of their minds. (see the Voicethread podcast).

And I expect to keep thinking …

Peace (in the sharing),
Kevin

A Folder of Puppet/Radio Plays

Wondering if this embed of a whole folder of audio files from Box will work. These are puppet plays that I had students turn into radio plays with Audacity (their first time using the software).

Peace (in the voices),
Kevin

How to Fold a Paper for a Folding Story


Given the response on my post the other day around doing a paper version of a Folding Story collaboration with my students, I figured it might make sense to do a little video tutorial of me, folding the paper. It’s not that difficult, really, but I’ve been reflecting recently on the use of video tutorials.

So, I set up a time-lapse setting in my Mac’s Stopmotion program and tried to go through the process. The video seems a bit jumpy to me, but it may be my connection here at home.

Peace (within the folds),
Kevin

Encouraging Independent Reflective Readers

This year, I have a group of students who are “readers,” and I imagine much of the credit for that is with their parents (thank you) and their former teachers (double thank you). There are signs of this all over the place: the books they bring into class and the number of students who signed up for our library’s Book Club elective (triple thank you to our librarian, Pati). Not every year is as strong a crop of readers as this one, which is a great pleasure to see and to experience as a teacher.

We’re still doing a mix of class novels and independent reading in my classroom, with a slow but steady shift towards more independent reading that will be aligned along the lines of our Fountas and Pinnell Benchmark Assessment work (we’re only in our second year of collecting data and I, for one, am just getting more comfortable with the assessments. Now, I need to get more PD on how to use the data.)

For the next few weeks, my students are all choosing their own books to read for class. We spent the first part of the year reading class novels (Flush, Tuck Everlasting, Regarding the Fountain, etc.) so that the framework for being reflective readers and writers should be in place (should be). The other day, we had a discussion about how to choose a good book.

Some of the elements of our class discussions:

  • Choose a book that has high interest for you. Don’t choose something that you know from the outset is going to bore you. Get comfortable with a book.
  • It’s OK to abandon a book that seems to start strong and then fades away. I let them know that this is what readers do: we make judgments about the books and either continue because we’re interested or abandon if we’re not.
  • Be an active reader. Since this is the classroom, I will be forcing some of that reflection on them through the use of reading journals, one-to-one conversations and some reflective open response writing. And this is as much to instill good reading habits as it is to assess them, I think.
  • Recommend books for others to read. Since we are a reading community, I want students to be highlighting the books they are in love with and passing that love on to others. I am still considering the best system for this (online or on-walls of the classroom, or both?).
  • Challenge yourself as a reader. It’s OK to pick a book that interests you but is a bit easy for you as a reader. Just don’t get locked down into the easy mode. We talked about making sure that you follow up an easy read with one that may be a bit more challenging. The beauty of this shift is that the more challenging books are often also the more interesting, as writers take you off in different directions.
  • Pay attention to the craft of writing as you read. Since my students are writing most of the time, I want them to notice the techniques and approaches of the novelists they are reading. (By the way, one of the components of the Benchmark Assessment that I really like is the comprehension element, where one part of the questions deals with ‘beyond the text’ and all of the writing approaches).

To demonstrate some of my own reflective practice, I shared this Prezi that I made last year when I read the novel, Powerless. I found it helped students to see my own thinking as a reader, and made their own responses in their reading journals more reflective, too.

Peace (in the reading),
Kevin

Boulder/Rock/Mountain: A Podcast Poem

During some freewriting with my students yesterday (I always write with them — do you?), I started to write this poem about a huge boulder that I remembered from my neighborhood. It was always this odd thing — something left over from the Ice Age that became an eerie play structure for us as kids. There was this deep crevasse or split in the rock, too, which was sort of scary because of the creatures and insects that lived in it. Of course, we couldn’t resist going down into it.

Boulder/Rock/Mountain

Who could say
where it had come from:
Perhaps it had been dragged there by ice
or regurgitated by roaming dinosaurs
or tossed aside by giants.
It was so much older than us
with stories all of its own
that it had no intention of ever revealing.

All we knew was:
it was there:
a boulder, a rock, a mountain
almost the size of a small house
plunked down into the grove of trees of our neighborhood
as unexpected as ice cream for breakfast.

With sharp footholds for ladders
and soft moss for seats
and a deep crevasse that had been cut by time itself
which seemed to descend down forever into darkness,
the Boulder/Rock/Mountain was our immovable treehouse
and dungeon,
luring us in with shadows and spiders and the unknown
down into a place that kept more secrets than I would ever know.

Thick maple and pine and oak trees loomed overhead,
casting a green curtain that kept us cool
in the insufferable months of August
and dry in the rainy Aprils
but never quite safe.

Awake before the others, always,
I’d climb the top of the sentry post
to scan the world
before heading down into the depths of the rips in the seam
toward the unknown,
plunging into my imagination for adventure.

Peace (in the poems),
Kevin

From Digital to Paper: A Folding Story Activity

folding story
Some you know that I have been having some fun over at Folding Story, a collaborative story site in which ten pieces of a story as put together but the writer only sees the prior “fold” — not the whole story.

I wanted to bring the idea into the classroom, but the site itself is not appropriate for my students. (The crew there says they might be adding “private writing rooms” in the future for educational purposes. We’ll see.)  So, I went the old-fashioned way yesterday: with paper. My students created and contributed to a five-fold story on paper, and mostly, it was very successful in terms of sparking creativity.

The hardest part, believe it or not, was showing them how to fold the paper in such a way so that as the story progressed, the writer would only see the previous fold. In seconds, you could see which kids have some spacial IQ and which don’t. But we got them through it and began. (Essentially, we folded an 8×10 paper into half, and then into half again, and then flipped one of the folds. This gave us five spaces for writing. I had then number the folds, too, so that we knew where we were. An easier way would be to keep it to four folds, but it seemed to me that five was a magic number in terms of a story developing farther enough away from the original.)

After they wrote on a fold, I would collect and redistribute, and they would write the next part while only reading the fold before them. When we got to the last fold, they could open it up and read where the story had begun. We shared a few out with the class. Then, they all got their own original stories back to see where their story had gone.

You should have heard the chatting, and felt the creative energy in the room, as we were doing this activity, which took about 25 minutes. They were very excited to be writing this way, in collaboration with some unknown others in the room. They all were trying to figure out whose story they had and where their original story had gone.  I only had one story during the day that was a bit inappropriate (it included a joke about a butt — no doubt, written by a boy) and after I repeated directions about writing for the classroom, things were fine.

As with the site, there is the potential for inappropriate writing, since the writing is being done with anonymity. I suppose I could have changed that — had them add their initials, or read every contribution as I was collecting them for redistribution. (What I did was I read ones where I wanted to send a message to the writer. I’d stand next to them as I collected their writing and very dramatically read it silently to myself.)

Peace (in the folds),
Kevin

Puppet Plays as Radio Plays

As our collaborative puppet play writing groups are finishing up scripts, I have been teaching them how to use Audacity to record their plays as “radio shows” that are then posted at our class blog site. This recording has a few objectives:

  • They get to learn Audacity;
  • They keep practicing their plays;
  • They are making revisions to the scripts as they “hear” themselves;
  • They get to publish their plays before they perform them;
  • A few of the groups are realizing that they can add sound effects as they record;
  • Others realize that their play is visual and an isolated audio file doesn’t do their story justice;
  • All four classes get to hear what friends in other classes have been up to with their plays.

One of the best purchases I have made are a hand of  little headphone jacks, which allow two headphones to connect to one computer. We’ve been stringing them together like Christmas lights so that groups of four can all huddle around a single computer and record, and listen.

Here is one of the plays, along with the beginning of the script.
Listen to Mucho Taco Day.

Mucho Taco Day

Peace (in the plays),
Kevin