Book Review: Practical Poetry (across the curriculum)

Just in time for the push of Common Core curriculum alignment by our state, and many other states, Sara Holbrook’s Practical Poetry: A Nonstandard Approach to Meeting Content-Area Standards is, well, practical and useful and full of interesting ways to merge poetry with math, science and social studies. I was lucky enough to receive this book from Lisa, thanks to a poetry contest she held at her blog (Effective Teaching Solutions), and the other night, as my son was in basketball practice, I dove in.

Holbrook is a poet who has gone into many classrooms to work with students, and her insights are valuable around the ways that poetry can engage and connect writers with various elements of curriculum, without making it boring. This is creative learning.

She notes that poetry is one of those topics that seem to be left out of discussions around curriculum change, particularly as we move into more expository writing (ie, the Common Core) and leave more narrative writing behind. But she lays out a strong case for keeping poetry alive and well in our schools.

She argues that writing poetry:

  • jogs the memory
  • demands keen observation
  • requires precise language
  • stimulates good communication skills
  • encourages good organizational skills
  • encourages reading fluency
  • helps us learn about ourselves and our world
  • is a powerful language all of its own

While she begins with a look at the Language Arts classroom, she then shifts gears into how to bring poetry ideas into math, science and social studies in meaningful ways. While she acknowledges that some might scratch their head on these connections, she patiently lays out her rationale for each subject area, gives specific lesson plans and provides many student and her own exemplars.

When it comes to math, for example, she notes that both mathematicians and poets have similar intent: “We look for patterns in the world. We attempt to find a pattern that we can apply in order to define the unknown. We first look at nature as a whole and then attempt to break it down into parts. We use symbols to represent the unknown while we are in the process of defining terms, and we use comparative techniques to communicate with one another (58).”

I love that.

In science, she does something similar, but with physics. “Poetry’s mission is to understand the universe — physics’ mission is the same. Both condition the mind to search for an answer, to stimulate imagination, to look beyond the status quo. The arts and sciences are intertwined more than either side seems to want to admit (92).”

Again, I love that.

And in the field of social studies, she notes that the lens at which we make sense of the social and political and geographical contours of our lives and the lives of others also connects with poetry.

“And nothing gets a poet’s pen twitching quite as quickly as a good controversy. At the heart of every change or conflict in the written history of the world has been some bothersome poet spouting off on one side or another. The personal quality of a poem makes all those dates and events not only more interesting but more memorable. Poems are letters and snapshots from the past – ‘original source documents’ ; they’re like reading someone else’s mail versus reading a telephone directory. And memorable is definitely an advantage when test time comes around. (128)”

Yes, she hovers around our testing society and what that often means for creative writing, and again, she strongly makes the case that poetry is another way to help students achieve on standardized testing by moving beyond the drill-kill methods. There are ways to meet curriculum standards AND still spark creativity in our students. We need to remember that.

My sixth  class will soon be moving into poetry and I am going to have Holbrook’s book of ideas right on my desk. I also will be bringing it to meetings I am sure we are going to be having next year as we re-configure our district’s curriculum map to align with Common Core. I don’t want to lose poetry, and Holbrook’s Practical Poetry may help me make my case.

Peace (in the poetry),

Kevin

Book Review: The Lost Hero

When The Lightning Thief first came out, I devoured it, and then introduced it to my students, who devoured it, too.  My sons loved it, too, as we read each book as a read aloud.

I thought writer  Rick Riordan’s use of Greek Mythology mixed with action and adventure — along with liberal humor told from the view of a spunky, impulsive protagonist — was a fun, lively twist to most of the books we read, so we began to read it as a class book. I have mixed feelings about the movie version (see my review) and the graphic novel version (see my review), and not all of the other books in the series were as strong as the first.

But many of my students were bummed out when that series ended.

This past year, Riordan came storming back with a new series (The Heroes of Olympus) that introduced new characters and a pretty impressive story arc. The Lost Hero pits three new demigod friends together to save the day as Gaea (yes, Mother Earth, but not the kind gentle one we know but the vindictive mother of the Titans and other monsters) is coming out of her slumber of eons and wants revenge against the Gods of Olympus for defeating her children.

Jason, the son of Jupiter (the Roman version of Zeus); Piper, the daughter of Aphrodite; and Leo, the son of Hephaestus must join forces. They do, with plenty of plot turns and character development. Riordan spends a lot of time with the back stories of Piper and Leo (not so much Jason, who has lost his memories) and it is time well-spent.

I read The Lost Hero aloud to my six year old, but my older sons also dove right into the book and seemed to like it, too. (I know, because they fought over the book and hid it from each other).

What I found interesting is that while Riordan confined his vision to Greek Mythology in The Lightning Thief, here he is moving into the conflicts between Greek and Roman Mythologies, and the only way to save the Gods is for demigod heroes of both mythological backgrounds to work together. The Giants who were created by Gaea to destroy the Olympian Gods are rising and only the demigods, working with the Gods, can destroy the giants. But, the Gods have mostly abandoned their children. (Mostly, but not completely)  It only through a plot and ploy by a jealous Hera, who has been captured by Gaea, that a foretold prophesy can begin to take shape with Jason, Piper and Leo at the heart of it.

The book ends with plenty of foreshadowing for what is to come, including mentions of our old friend, Percy Jackson (from The Lightning Thief), who has gone missing from Camp Half-Blood. By the end of this book, the three heroes have a good idea of where Percy is and how to save him. If there is time …

Peace (in the story),
Kevin

Book Review: Everything Explained Through Flowcharts

I’m one of those readers who loves non-traditional books. Give me something odd, and I am all over it. This is one of those books. Everything Explained Through Flowcharts (subtitle: Tips for World Domination, Which Religion Offers the Best Afterlife, Alien PickUp Lines, and the Secret Recipe for Gettin’ Laid Lemonade) by Doogie Horner is so intriguing, funny and off-kilter that it is hard to explain.

Basically, the book is a series of flow charts on a topic, with hilarious side roads of information. The whole first part of the book dissects each religion around the afterlife, and Horner (is that his real name?) skewers just about everything you can think of. As your finger travels the flow of the flow chart, you’re likely to lose your place from laughing too much. Another section around superheroes is another classic look at stereotypes and how to bust them. A four page flow chart around the topic of “how to win an argument” could be the cornerstone of a debate class, as Horner chips away at every angle of an argument (in this case, that oranges are sweeter than tangerines.)

I brought this book to my son’s basketball practice, and soon, I had a small crowd of parents looking over my shoulder, pointing to things and turning the pages. Forget the boys; we were laughing too hard together. But note: this is NOT a book for kids or the classroom. Some of the flow charts are fine, but others (such as the one about alien sex, and things to say during sex … not really that appropriate).

You can see a sample over at Wired Magazine (which is where I first heard of this book).

And here is Horner’s take on Facebook photos (not in the book, but from the Fast Company website).

So, how might this be a learning tool for the classroom? I’m tempted to make a flow chart about that for another day …. hmmmm. Stay tuned …

Peace (in the info flow),
Kevin

Now I know who to blame …

Appetite for Self-Destruction

For years, my pet peeve was that darned packaging around CDs. First of all, it would tear at my fingers trying to get it open. Second, I was left with more plastic and cardboard than CD case, and so every purchase of music felt as if I were germinating the local landfill.

This week, I finally found the name of the guy credited with this entire packaging idea. It is Jerry Shulman, who was director of marketing at CBS at the time. In the book Appetite for Self-Destruction by Steve Knopper (an excellent look at how the music industry has again and again shot itself in the foot as the digital revolution took hold …. Napster, anyone? Or now bit torrent?), Shuman admits to the idea. “It was me,” Shulman is quoted saying by Knopper. “It cut everyone’s fingers to shreds when you cut it open.”

Yep. That’s probably why they were known as blister boxes in the industry.

Now, Shulman did not invent this contraption just to cause pain to music customers (although Knopper does an excellent job of showing how us music lovers are often farthest from the minds of the record company executives at so many turns in the road over the last 30 years). The tomb-like plastic and cardboard casing was invented so that record store owners would not have to build new shelves for CDs; they could just use the old LP shelves and fit two CDs in the spot where one LP used to go.

Now, who is the hero of this story of the old CD cases? Raffi. That’s right. Raffi — the children’s singer who has always earned my respect for refusing to license any of his recordings for marketing that might influence a child to buy a product. He just wants kids to love music.

According to Knopper, Raffi refused to put out CDs in the so-called longbox. Good for you, Raffi.

Meanwhile, the industry realized they could save a bundle of money by eliminating all of that packaging, and appease other artists like U2, Peter Gabriel and others who were worried about the environmental impact of the packaging. It is nice to see that CDs (if you still buy them) are mostly without the plastic sleeves.

Of course, the digital versions require no packaging at all.

Peace (in laying the blame),
Kevin

Scott’s shortshortshort book review contest

Bookreviewcontest

Scott McLeod has launched a contest of sorts at his blog, Dangerously Irrelevant, in which folks are asked to write a book review by adhering to the Twitter-concept of 140 characters. That is not a lot of words, so how you pack meaning into your choice is crucial.

Go ahead. Give it a try.

Here is mine:

The Ten Cent Plague: The Great Comic Book Scare and How It Changed America
By David Hajdu
The Ten-Cent Plague, by David HajduMy review: The innocence of millions were lost to comic books, or so politicians would have had us believe. Yet the genre survived intact – thankfully.

Head on over to Dangerously Irrelevant and post your own.

Peace (in brevity),
Kevin

Just One More Book Bash

My friends over at Just One More Book are celebrating their 400th podcast. That’s pretty amazing, isn’t it?

Go give the 400th podcast a listen as they reflect and share their love of Picture Books with the world (oh, yeah, and I sent them a short piece on a book with a summer theme that I love called Weslandia by Paul Fleischman).

This file has been created and published by FireShot

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And consider sending in your own review of a favorite picture book. They are very open to guest reviews and encourage your participation in the friendliest of ways.

Peace (in celebration),
Kevin

Just One More Book: My Review, part 4

The wonderful children’s book blog — Just One More Book — published another of my reviews of favorite picture books. This one is called The Three Pigs and it is written by David Weisner. What I like about the book is how he takes the traditional story and completely breaks down all of the narrative walls.

The folks at Just One More Book are always looking for listener feedback (you can do it on the phone, even) and for guest reviewers. This is my fourth review so far in the past year. Take a look at Just One More Book.

Here is my review of The Three Pigs

Peace (in pictures and stories),
Kevin

Just One More Book: My Review, part 3

Justonebook

I got a podcast book review published over at Just One More Book again (this is number three!) and you can do it, too. They make it so easy for anyone who loves books to give your own insights. They even have a phone number you can call and leave your review as a message. Does it get any easier than that? (no)

I reviewed Mole Music by David McPhail this time.

Take a listen

My previous reviews were:

Peace (in books),
Kevin

Just One More Book: My Review, part 2

I submitted another picture book podcast review to the Just One More Book blog/podcast site and it was published this morning. I love the site for its rich content and interest in the world of children’s books.

Anyway, I reviewed the book called Madlenka by Peter Sis. It’s an interesting book in which a little girl travels around her city block and sees the world. When you think of the concept of the Flat World in which everything is connected through human experience and connection, it seems that this book is a representation of that (although it clearly was not written to do that).

Here is by review of Madlenka by Peter Sis and be sure to visit Just One More Book often and get it into your RSS feed.

Peace (in picture books),

Kevin