Digital Poem: On Hobbomock (Sleeping Giant)

The latest stop for the National Writing Project’s Write Across America – where different Writing Project sites are hosting writing activities – was Connecticut and the focus was on state parks. Interestingly, I grew up in the town next to one of the parks — Sleeping Giant State Park – and spent a lot of time there.

But I didn’t know much of the myth of the Giant, so I enjoyed learning more of the Native American stories and then using some of that in the digital poem. The Sleeping Giant actually looks like a giant, on its back, napping.

Learn more about the Sleeping Giant.

Peace (and Poems),
Kevin

Write Across America: Ghost Story of Northern Virginia

The latest stop on the virtual summer writing tour of various sites of the National Writing Project — known as Write Across America – was in Northern Virginia and the theme of exploration was ghost stories.

I missed the Zoom session but I used some of the resources to explore some interesting stories, including that of the “Female Stranger” of Alexandria, which features a headstone in a graveyard and only hints at her story. This one informed my poem.

Here some of my other poems from my other stops –

Nebraska

Georgia

Hawaii

We/US

Peace (In Explorations),
Kevin

 

Write Across America: Georgia (Shout The Jubilee)

This poem is part of the National Writing Project’s summer Write Across America project, which different NWP sites and affiliates across the country are hosting place-based writing sessions.

I guess I tend to not be part of the Zoom sessions (so far) but I do use the resources and prompts for my own writing, on my own time. The latest visit was to Georgia, and one of the resources was a page about the McIntosh County Shouters, and their use of song and dance to tell stories, and to remember. The video I watched was about Jubilee, and that inspired the poem.

Peace (and Dance),
Kevin

Dialogue Notebooks: Using And Creating AI Thinking Partners

NowComment and AI: Dialogue Journal

I am fortunate to be connected to folks in my National Writing Project circles like Paul Allison, who administers Youth Voices network and the NowComment annotation site. Paul has been at the forefront in my circles in thinking a lot and experimenting with the possibilities of Generative AI as a technology tool that could help readers and writers.

I had noticed that Paul and a few others NWP-affiliated folks were experimenting with the concept of AI Thinking Partners at NowComment — AI generated bots that engage with a text — but I have only just dipped my toes into what he has been doing, now that my school year is over. Then I saw him ask folks to experiment by keeping a daily Dialogue Journal in NowComment, and experiment with the AI Thinking Partners that he and others have been building out (using the API of ChatGPT).

I jumped in and I have made my journal (from June 24-July 1) public, so feel free to peruse my daily writing, which was themed each day on thinking about Artificial Intelligence (which I have been doing a lot since ETMOOC2 in the Spring). Then, after my journal writing, I would ask the Thinking Partner to engage a bit in discussions with me in the margins.

Read my journal

Paul also met with me to talk through some of the steps to creating my own Thinking Partners, and I made three: JazzHands, with a creative arts persona; HaikuHere, which is designed to turn a text into haiku; and WriteOutRanger, which is an experiment for the Write Out project to have an AI “park ranger” engage in discussions about place-based learning.

AI Thinking Partners

I am still thinking through the elements of all this, and wondering in the back of my head how this might be helpful or not to students in a classroom. For now, I am in experiment mode, playing around and trying to learn through experience the possibilities of embedded AI Thinking Partners. I know I need to learn a lot more about Prompt Engineering, and Paul and others have gathered together a lot of resources to explore on this topic.

Peace (and Inquiry),
Kevin

PS — Do you want to set up your own AI Dialogue Notebook in NowComment? Here are the instructions at the NowComment site. Let me know how it goes.

Write Across America: Nebraska

I’ve been circling around a few days late to the National Writing Project’s Write Across America visits, in which different sites host writing activities. The last virtual visit was to Nebraska, a state which I don’t know much about. Thus, the title of my poem, which I then made into a digital format. And I sure hope I got the basic facts right, too.

You can read the poem as text here.

Peace (Wandering The Terrain),
Kevin

Write Across America: Hawai’i Writing Project and the Concept of Mo’olelo

Write Across America

The National Writing Project just kicked off its annual summer writing adventure called Write Across America, in which various NWP sites host online gatherings and share place-based prompts to spark writing. I missed the first session from the Hawai’i Writing Project, but the presentations are archived, so I went in to see what had been happening.

One of the prompts had to do with the native Hawaiian concept of Mo’olelo — a way to be spiritually connected to the native world — and it was described here. I liked this ending of that post: “Everything in the world was alive with a presence, vitality, and meaning that our worldview does not recognize.”

I am not suggesting that I completely understand the concept. I am not a native Hawaiian and my roots to my land seems less connected that I would like. But I used that idea of connection to the spirit of the land for a poem response.

Here’s what I wrote:

we
don’t listen
we
barely hear
we
forget noticing
we
lose ourselves

we
the stories
of the world
embedded in this place
remain undiscovered

we
wander this terrain
of rock and soil
and river

we
need to linger
longer in the quiet,
listening for

us

we
should listen
we
can hear
we
are noticing
we
find ourselves

here

Peace (and Roots),
Kevin

ChatGPT: Alarm Bells And Learning Possibilities

ChatGPT Play Skit The Case of the Missing Jazz Song

First, it was Wikipedia that would be the end of student research. Then it was Google and other search engines that would be the end of student discovery and learning of facts and information. Now it might be ChatGPT that might be the end of student writing. Period.

As with the other predictions that didn’t quite pan out in the extreme but still had important reverberations across learning communities, this fear of Machine Learning Chat may not work itself out as extreme as the warnings already underway in teaching circles make it seem, but that doesn’t mean that educators don’t need to take notice about text-based Machine Learning systems, a technology innovation that is becoming increasingly more powerful and user-friendly and ubiquitous.

For sure, educators need to think deeply about what we may need to do to change, adapt and alter the ways we teach our young writers what writing is, fundamentally, and how writing gets created, and why. If students can just pop a teacher prompt into an Machine Learning-infused Chat Engine and get an essay or poem or story spit out in seconds, then we need to consider about what we would like our learners to be doing when the screen is so powerful. And the answer to that query — about what can our students do that machine learning can’t — could ultimately strengthen the educational system we are part of.

ChatGPT: Write A Sonnet

Like many, I’ve been playing with the new ChatGPT from OpenAI since it was released a few weeks ago. As I understand it (and I don’t, really, at any deep technical level), it’s an computational engine that uses predictive text from a massive database of text. Ask it a question and it quickly answers it. Ask for a story and it writes it. Ask for a poem or a play (See my skit at the top of the page) or an essay, or even lines of computer code — it will generate it.

ChatGPT: Literary Analysis Paragraph

It’s not always correct (The Lightning Thief response looks good but has lots of errors related to a reading of the text itself) but the program is impressive in its own imperfect ways, including that it had access to the Rick Riordan story series in its database to draw upon. And, as powerful as it is, this current version of ChatGPT may already be out of date, as I think the next version of it is in development (according to the hosts at Hard Fork), and the next iteration will be much faster, much larger in terms of scale of its database, and much “smarter” in its responses.

Can you imagine a student taking a teacher prompt assignment and putting it into the Chat engine, and then using the text as their own as classroom submission? Maybe. Probably. Will that be plagiarism? Maybe.

Or could a student “collaborate” with the Chat engine, using the generative text as a starting point for some deeper kind of textual writing? Maybe. Probably. Could they use it for revision help for a text they have written? Maybe. Probably. Right now, I found, it flattens the voice of the writing.

ChatGPT: Revise This Text

Could ChatGPT eventually replace the need for teachers? Maybe, although I doubt it (or is that just a human response?)

But, for educators, it will mean another reckoning anyway. Machine Learning-generated chat will force us to reconsider our standard writing assignments, and reflect on what we expect our students to be doing when they writing. It may mean we will no longer be able to rely on what we used to do or have always done. We may have to tap into more creative inquiry for students, something we should be doing anyway. More personal work. More nuanced compositions. More collaborations. More multimedia pieces, where writing and image and video and audio and more work in tandem, together, for a singular message. The bot can’t do that (eh, not yet, anyway, but there is the DALL-E art bot and there’s a music/audio bot under development and probably more that I don’t know about.)

Curious about all this, I’ve been reading the work of folks like Eric Curts, of the Control Alt Achieve blog, who used the ChatGPT as collaborator to make his blog post about the Chat’s possibilities and downsides. I’ve been listening to podcasts like Hard Fork to get a deeper sense of the shift and fissures now underway, and how maybe AI Chats will replace web browser search engines entirely (or not). I’ve been reading pieces in the New York Times and the Washington Post and articles signalling the beginning of the end of high school English classes. I’m reading critical pieces, too, noting how all the attention on these systems takes away from the focus on critical teaching skills and students in need (and as this post did, remind me that Machine Learning systems are different from AI)

And I’ve been diving deeper into playing more with ChatGPT with fellow National Writing Project friends, exploring what the bot does when we post assignments, and what it does when we ask it to be creative, and how to try push it all a bit further to figure out possibilities. (Join is in the NWPStudio, if you want to be part of the Deep Dive explorations)

Yeah, none of know really what we’re doing, yet, and maybe we’re just feeding the AI bot more information to use against us. Nor do we have a clear sense of where it is all going in the days ahead, but many of us in education and the teaching of writing intuitively understand we need to pay attention to this technology development, and if you are not yet doing that, you might want to start.

It’s going to be important.

Peace (keeping it humanized),
Kevin

Music Playlist Poems (via Write Across America)

The National Writing Project is once again hosting a traveling online writing festival called Write Across America, and once again, I keep missing the live events and coming to the prompts a bit late. Whatever. I still enjoy the experience and a few weeks back, the Chippewa Writing Project in Michigan hosted, with a music theme that I could not resist.

They had a slew of Michigan-rooted musicians, groups and songwriters, and I chose five to work with, listening to their music as I wrote my poems. I also used the opportunity to continue to work on my draft and revision skills, working and reworking this set of poems over many days. You can read the text of the poems here, if that’s more to your liking.

Peace (and music),
Kevin

Collaborative Poetry: Making a Poem in MidAir

I used Etherpad to invite some colleagues in a new National Writing Project social space to create a poem with me. The video documents the writing of the poem, via Etherpad’s cool time-lapse feature. Since Etherpad now removes all ‘pads’ after a time of inactivity, the full poem can be read here.

What I love about these kinds of activities is the unexpected, the way a fellow writer can take a few lines in a new direction, and how the next person tugs the thread and pulls the poem forward, too. It’s not always in complete sync but going into a collaboration like this means giving up preconceptions about where a piece of writing is going.

(and see how Terry created his own video version)

Peace (in poems),
Kevin

Book Review: Annotation

Annotation | The MIT Press

(Note: I was one of those people who took up an early invitation by the writers to add some thoughts via crowd annotation to an early version of this book)

Annotation and Curation seem to be critical skills and processes that might help us all thread together our disparate and often confusing online information flow in this modern age. When we annotate, we leave a trail of thoughts and discourse. When we curate, we pull those trails together in meaningful ways.

In the new book, Annotation, researcher/educators Remi Kalir and Antero Garcia (two people I know well from through the National Writing Project) explore the power of social annotation of texts through a variety of lens and make the case for a future in which our comments and conversations across platforms and texts could connect, and transform the way we think, learn, read and communicate with others.

Annotation Annotations

Comics made as annotation to Annotation

This small book from MIT Press has both historical references (the way annotations helped readers make sense or talk back to books in the margins of those books, that were then passed around communities) to the Talmud (religious text annotations across time) to the way annotation helps learners with reading comprehension and text questioning, through solo annotation (for oneself) and crowd annotation (writing in the margins along with others).

As someone who has used platforms like Hypothesis, Vialogues and NowComment and others to annotate with others on a variety of texts and media, and found the experience empowering and enlightening, I appreciated the many angles that Kalir and Garcia bring to the table in their book.

They raise critical and ethical questions of content ownership (does the writer of the text need to grant permission for online annotation?); whether platforms are texts and writing on those platforms, annotation (Is Twitter a text and tweets, annotations to that text?); how marginal voices might find a way to be heard amid so much noise of the world and power imbalance; and so much more.

Annotation will provide you with a deep look into how annotation has evolved into the digital age and leave you with the hopeful ideas that annotation has the possibility of pushing back against disinformation as well as becoming part of a larger quilt to reconnect our disparate online selves and words together, whatever the platform. And in doing so, Garcia and Kalir argue, the world might become a more interesting and more positive place to engage in with others, while solidifying your own presence.


There is a conversation underway about the book and ideas on Twitter with the #AnnoConvo hashtag.

Peace (in the margins),
Kevin