The comic above led to a great conversation on Twitter the other day about the role of mentor texts, and learning from genres, and remix. Thanks to everyone who added in to the conversation (Sarah, Terry, Sheri, Daniel, Ronald, Jayne, etc.)
At one point, something somebody wrote (prob Terry) brought me back to making a comic about remix …
The latest prompt in Walk My World is a look at a “turning point” in our own narrative stories — a place where something shifted and took you in a new direction. Of course, every life has many of these decision paths, and some are too personal to share in a public space like this.
My comic is about a moment as a new teacher — just coming out of ten years as a newspaper journalist — when a friend, Paul, shared an idea and a technology so new at the time, we didn’t even know the word: blog. But I immediately saw the possibilities for my students as connected writers in shared spaces, and for how technology might add to my writing curriculum, and I never looked back.
All of it, thanks to the Western Massachusetts Writing Project and the National Writing Project.
I’m not completely sure what I am doing here, but Networked Narratives is designed on the reality that the Pandemic has changed learning at the University level. I followed the lead of some others in designing some art about this concept.
It’s not that I think this disruption will completely dismantle higher education, but it is going to be impacted (as it already is) by technology and remote learning and more.
That’s worth noting and thinking about, and the NetNarr folks (a mix of professors, classroom students and open learning folks, like me) are exploring the aspect of change in learning and the next question of: Then, What?
Within the CLMOOC community, some of us are starting to chat about how to launch a collaborative project around the idea of “hope” as counter to the darkness of the world right now. A few of us are toying around with the theme in different ways (comic, above).
More info to come later .. I hope …
This picture (below) was a hope-themed response to a Daily Create via DS106 yesterday that asked for a picture or gif with a girl, a cow and the moon.
I really appreciate that our principal worked to get our school a bunch of large tents for outside mask breaks and learning areas as we deal with social distancing. But the school grounds look strange with all of the tents.
It seemed appropriate for me to make a comic with three panels as review art for a book of comics of three panels (for the most part) of classic novels. Artist Lisa Brown uses whimsy and brevity for her small collection that summarizes classics like Moby Dick, The Handmaid’s Tale, Lord of the Flies, and more.
As both an avid reader and a lover of comics, as well as an appreciator of popping the balloon of pretension, I thoroughly enjoyed Brown’s small book and humor, and insights, too, that come from trying to find the most important thread from which to spin a comic piece of art. Long Story Shortis a fun diversion and witty companion the serious novels of the so-called “literary canon.”
Note: there are references to sex and death in here (it’s a theme of many novels, as you might know) so if you are teacher wondering about the possibility of using this book in the classroom, you might want to pick and choose pages from Brown’s book, or at least, give it an entire read (you should anyway) and determine appropriateness for your students.