Fake News/Media Literacy: The Slideshow Digital Comic Lesson Plan

Yesterday, I shared out the presentation that I did for my sixth graders around Fake News and Media Literacy skills, providing information and talking points for 11 year olds navigating a strange social media-infused world of truth and fiction.

Today, I want so share out my lesson plan for them, in which they use Google Slides to create a Digital Comic that focuses in on strategies they learned for filtering news. This lesson had two focus points: showing them how to use ‘call outs’ for dialogue bubbles in Slides and how to use the ‘scribble tool’ to free draw, as well as sharing information about Fake News in an engaging format.

As always, I created my own version of the project, making a Slideshow Digital Comic on the Fake News theme. In the next day or two, I will share out some of the student work on comics and fake news.

By the way, making comics in Google Slides is an idea that came from Mike Petty, who has tons of resources on how to do this.

Peace (spilling beyond the frame),
Kevin

Comic Interpretation: Step Up and Take Action

(Full screen viewing works best)

My friend across many social spaces, Daniel Bassill of Tutor/Mentor Connections, put out a request recently, asking if anyone might be interested in making a comic version of any of his many resources at his site, which encourages partnerships to improve the lives of urban youths.

How could I not give it a try? I read and took notes from a resource entitled “The Role of Leaders” and made my own version.

A PDF of the comic is available, if interested.

Step Up Take Action Comic

Peace (interpreted and amplified),
Kevin

Comic: Virtual Presenters in a Virtual Conference

Gone Virtual?

Someone outside of my usual teaching and technology life asked about my upcoming presentation at the 4T Virtual Conference on Digital Writing, and they got sort of hooked into the “virtual” piece. I think they heard “virtual” and thought I was going to be wandering through some virtual reality workshop.  Maybe with goggles on. I wish. Instead, I will be in a Blackboard Elluminate platform (which is pretty far from VR, believe you me).

Their pondering about what I was doing for 4T inspired the comic up above, which I hope you might see as an invitation to join me in my 4T session on Emergent Learning (or Expecting the Unexpected) with a specific lens on the Connected Learning MOOC (CLMOOC).

Promo: 4T Virtual Conference

It’s free. It’s virtual. It’ll be later downloadable.

Peace (also, free, and distributable),
Kevin

 

Add comic and reminder about info on session …

 

 

Re-Imagining Rosie for Today

Today is the last day of a summer camp project I am facilitating, which is connecting inner-city middle school students with the Springfield Armory, a National Park Historic Site. (The project is funded and supported by our Western Massachusetts Writing Project, Mass Humanities, The National Writing Project, the Springfield Armory, Veterans Education Project and the Springfield City Schools … it’s a complicated endeavor, to say the least).

The middle schoolers (who come from a Social Justice-themed school) are now hard at work on a research project, in which they have taken on the “persona” of someone from the Armory’s past (our focus has been women and immigration), and represent what they know through a multi-genre effort. One piece is writing, and another is more art-related.

To show students what we are thinking when it comes to multi-genre, another teacher and I both created some texts. She wrote, and performed, an amazing rap song (she used to work for Flocabulary, I found out) about women in the workforce during World War 2. Meanwhile, I decided to use what we learned about Rosie the Riveter in a presentation by a historic re-enactor to create two different projects about Rosie.

My premise was, what would a Rosie icon look like today?

First, I wrote a Poem for Two Voices, and had students come up and read it with me. In the poem, the two voices were Rosie 1.0 (the original icon) and a Rosie 2.0 (a modern day icon).

Rosie Poem for Two Voices preview

Second, I created a comic strip in which woman are auditioning for the job of Rosie 2.0, and what happened when a strong, active woman gets the part. (OK, so I didn’t reference the Trump administration, but I imagined them being the voices off in the wings).

Rosie Comic1

Rose Comic2

I am excited to see and hear what students are making today. We’re seeing board games, comics, rap songs, journals, stories, poems and more. It’s been fun and interesting, and educational (Shhhh. Don’t tell the kids. It’s summer camp, remember.)

Peace (listen to Rosie),
Kevin

Another Collection of Comics

DigCiz Comic Collection Screenshot

I made more than 40 comics during the DigCiz conversation, as a way to close-read blogs posts and writing, and close-view some of the video discussions. As always, some of the comics work and some don’t, and some need context to make sense. Some may not make sense at all, no matter your context. The “slideshow” button at the top of the page is the best way to view them, I think.

See the collection

Peace (in frames),
Kevin

 

Better the World: Reflecting on #DigCiz Discussions

Person by person

As I mull over the last few weeks of conversations

I’ve been using Vialogues to “slow-watch” weekly video hangouts of folks in the #DigCiz conversation. This “writing in the margins” has helped me slowly think about the topics — to push back, at times, and to agree at others. It often has taken me days to get through an hour-long discussion video. It has been worth it. You are invited, too, if interested.

Thanks to folks like Daniel, Terry, Sarah, Wendy and others who have added to the side conversations along with me. I still wish more of the hangout folks would have spilled into the margins, too, and extended the conversations (as Maha did). I appreciate, too, how Autumm and Sundi have worked to gather voices and perspectives together, and how they have nurtured the discussions in various places.

I have valued of all the points of view.

This whole four-week #DigCiz discussion has really raised important questions, particularly in the role of the individual in a larger data-driven system. Some lingering questions:

  • What rights and responsibilities do we have in that system or that platform?
  • What expectations should people have in those spaces, such as Facebook or Twitter or whatever?
  • Can we change those platforms if they don’t work for us?
  • Do we have agency?
  • How do we best teach young people ways to navigate the terrain with optimism and engagement?
  • Where do we go from here?

We’ve all done much chatting about these concerns, and more, and about how we address civics in the digital age. So, how do we take what we talked about and move it into action? Isn’t that always the conundrum? (See comic at the top for one way I tried to grapple with the question and found myself thinking of Annie Lamott’s Bird by Bird).

I am reminding myself, too, that we all need be more mindful that we can make a difference, one interaction at a time. I was asked by a friend about the following comic …

Think small
The point I was trying to make (and maybe fell into stereotype of academic folks, which is a bit unfair) is that we can all easily get bogged down in jargon and vocabulary and lose sight of the reason why were are engaged in conversations in the first place, which is to better connect with others and better understand points of view.

As a K12 teacher often in the midst of university folks through work with our writing project, it seems as if I am surrounded by vocabulary — you can almost hear some folks planning their next education journal writing or book project as they talk and interact — and I was seeking to remind myself that deeds and actions are important. Talking only gets you so far.

Words matter, of course. But where you take those words is a reflection on who are you and what you really want to see happen. Think small, but get it started. In the end, it has to do with being kind to each other and being open to differences, whether you are online or offline.

Perhaps I remain a bit naive about the possibilities of making the world a better place …

Peace (in the margins),
Kevin

Visual Literacies and the Emergence of “Picting”


visualliteracy flickr photo by alisonkeller shared under a Creative Commons (BY-NC-SA) license

The term “picting” is new to me but it makes sense. In a recent piece at The Journal by Cathie Norris and Elliot Soloway entitled Picting, Not Wriing, is the Literacy of Today’s Youth, the question of whether the visual nature of literacy in the (literal) hands of youth — mostly via cameras on mobile devices — has overtaken the written literacies.

Maybe. I don’t know.

I look at my own teenage sons, and my own adolescent students, and I pay attention to the ways they use Snapchat and YouTube and who knows what other apps to document their world, but are they telling stories? It’s more like the visual elements of their mobile lives are connector points, or documentation hubs of their identity (or projected identities), than telling whatever we want to call a story. Read the comments at the article, and you’ll see a discussion about “story” unfolding along this query.

The authors cite research that does back up, however, how young people are more apt to “compose” with images  – and use writing only as secondary literacy points — than the other way around. Unless they are in school. Then, the equation flip flops. In school, writing is the key literacy skill and visuals are often add-ons.

I think that is generally true (that we value textual writing over visual composition), and while more of a balance would make sense, I still think the teaching of writing and of composition and of “composing” with media is a key anchor of learning in our schools. Whether young people are taking and sharing images with intentional design and composition strategies can probably be debated.

I believe that young people still need to learn and to use those more traditional skills (ie, writing with text) to inform the way they interact and write into the world, whether that writing be visual or not. Note the image I used at the top of the post. The elements of design are becoming more and more important for all of us, so teaching and learning visual literacy makes sense.

I was reminded of the work that Nick Sousanis is doing around the visual narrative. You can read his piece from Digital Writing Month, in which he explores elements of visual narrative with a unique insight.

from Nick Sousanis: Spin Weave and Cut

 

And I was reminded, too, of the way my friend Kim Douillard, a writing project colleague, sees the world through her camera, and shares out visual themes for others to try across many social media streams, every single week. Kim views what she sees through her camera as narrative points, and understands how a picture can be composed. I try to learn from her.

Image by Kim Douillard

 

Not everything we write is story, although a common definition of ‘story’ is often debated in writing and teaching circles. Still, the idea that narrative does run beneath all that writers do is an interesting concept, for sure. See Minds Made for Stories by Thomas Newkirk for more on this.

I wrote this as a comment response at The Journal’s piece:

Writing with text is important. So is visual literacy. Also, add in the ability to speak and listen. Explaining something with video? Yep. That, too. The best approach for us educators is always to find ways to fuse these elements together when working with young “composers” of media. We should teach students how each (writing, visual, audio) on its own transforms a message (if not tells a story) and how each can work in tandem with the other to make a more powerful statement on the world. It is intriguing how visual the world of young people has become and there are many ways to tap into that (graphic novels, comics, infographics, etc). I still maintain, along with others, that the art of writing is still at the center of all these literacies.

What do you think?

Peace (looks like),
Kevin