Book Review: Reader, Come Home (The Reading Brain in a Digital World)

You can’t be around kids at any age for any amount of time and not worry about what the extended use of small and large screens is doing to the developmental brain. But it still feels so anecdotal. Our teacher lunch room is full of stories and complaints about diminishing attention spans, student writing primarily centered on video games, lack of persistence, and more.

As someone interested in the possibilities of digital literacies, as well as a father, this shifts that seems to be moving under our feet as we move into a more digital world is unsettling, too. It feels as if we are in one of those epoch moments – like moving from oral to written stories, or the age of Gutenberg — where we don’t really know what will emerge from the digital revolution, and we’re hoping for good things but fear the bad.

Reader, Come Home (The Reading Brain in a Digital World) by Maryanne Wolf is the perfect read for this unsettled moment. It will not, by any stretch, ease your mind. In fact, Wolf, a reading teacher and brain specialist who has worked for years on reading skills, will likely set off alarms, if anyone is listening.

And if you’re not listening, you should be.

Wolf’s main premise, supported through multiple findings from emerging research, is that reading on the screen, particularly for young children, is fundamentally changing the way the brain works with the processing information, and that the drastic decline of book reading – the paper bound things on the shelves — in favor of device reading is altering the complicated way the brain develops, over time, to be able to not just process information, deeply, but also to spur comprehension and connections beyond the textural levels.

Wolf would say that my sentence in that last paragraph is too long for a screen-developed reader to read and understand, and she pulls in research showing this to be true. And she explores her own reading life, too, to show how even she (and maybe you, and certainly me) have had our reading lives changed and altered by our time with screens.

Wolf, for example, does a scientific experiment on her own reading of a Herman Hess novel she loved and found she could not attend to the book for even moderate stretches of time. Her thinking would not follow Hess’s complex sentences and ideas. However, she was able to retrain herself back to deeper reading, which informs her ideas about how to address screen reading.

I won’t share all of her scientific explanations, except to say that when a young child is learning to read, each story and each book is part of the layered growth of the brain, building on the previous. Each book is layered on the last. Each story becomes a connector point for the next.

When a young child reads on a screen, though, the pleasure motivator of entertainment — the media, the links, the ancillary information — not only encourages them to skim the surface of text, but teaches them that this is how you read text. The brain remembers and builds those skills with multiple reading. When the brain encounters text, any text, those — skimming, searching for entertainment — are the skills it draws upon.

Comic The Deep

Research has shown that depth of understanding and retention is definitely impacted by screen reading. And, worse, skills that one might develop by reading with a screen do not transfer over to the skills needed for traditional reading on paper. If anything, the screen reading skills diminish the paper reading skills. This is the counter to the argument that people are doing more reading than every these days, just in smaller segments on smaller screens. Reading on screens is not reading in books.

The implications of that are what we are seeing in our classrooms and complaining about in our teacher rooms. It’s what so many of us parents fret about when we don’t see our children reading for any extended periods of time anymore. It’s a generational shift. And it may not bode well for the future.

Wolf explains that families have many reasons for handing over a device to a young reader — it becomes the babysitter for harried parents, it might be viewed by immigrant families as a better teacher of language, it starts as a minor entertainment diversion and escalates into something larger in the lives of children, etc.

Comic The Experience

Wolf does not advocate a “head in the sand” philosophy nor a complete shut-down of all screen reading. Instead, she suggests a path forward, acknowledging the likelihood that devices and screens will continue to dominate the lives of young people (and she does tackle some digital access issues and socio-economic disparities in our communities).

Her central suggestion to addressing the problem of screen readers is to first educate more parents and families on the benefits of “read aloud” between small child and adult — the benefits are many and complex, and all research indicates that reading aloud to infants through teenagers (good luck) has immeasurable impacts on academic performance and success in later years. She notes how many pediatric offices now provide books for all families visiting for check-ups, and use the interaction in the doctor office to teach about the importance of reading aloud.

But Wolf also suggests that our educational system needs to make a significant shift in how we approach the teaching of emerging readers. She lays out three tiers of her approach — but the main element is that we explicitly teach both reading of books and reading of screens in the early elementary years (each requires different reading skills.) By teaching skills in how/when to read digital texts and also how/when to read traditional texts, a young reader begins to develop what Wolf calls “a Biliterate Brain,” trained to understand that we read on the screen in one way for a specific reason while we read books in another way for another reason.

Her hypothesis — based on her work in childhood brain research — is that eventually, the adolescent brain will merge those two skills into a solidified reading approach and will instantly toggle between skills needed for a certain kind of text — reading as code-switching on auto-pilot.

This would require pretty significant shifts in how we teach literacy in school, of course. While many classrooms have devices or computers or access to mobile phones, the curriculum around explicit teaching of reading digitally for comprehension is not a significant part of the educational landscape. It should be.

Even Wolf doesn’t claim to know if this approach of “biliteracy” will work, but she argues that we can’t just sit by and watch a generation of young readers learn to read on screens. The altering of our brains from our devices is real. So is the altering of the brains of our children, and our students, and our future. It’s not enough to shrug our shoulders and hand another device into small hands. We need to recognize the issue and begin to something about it.

It’s up to all of us.

Peace (on paper),
Kevin

Waterfall Feldgang

I’m tinkering around with a digital story tool called Soundslides after a visit to Bash Bish Falls with some of my family yesterday morning:

Peace (in water),
Kevin

Marks on Wood: Filtered Effect Artwork

My students recently finished up working with a visiting artist — a woodcarver named Elton Braithwaite, who has been coming to our school now for 22 years — and their two pieces of collaborative carvings are very impressive. One has a tree theme. The other, a book theme.

The pieces have yet to be painted, so I took pictures of both carvings in their unpainted state, and began to play around with app filters (inspired by a friend of mine, Simon). One filter app I used (on the tree) is called Olli and the other (on the read) is Painteresque. The gif maker site is called Gif Maker.

I wanted to see the same image, fading in and out with filters. This approach worked better in another space, where Simon and I and others are sharing writing and art and more. The fade there was more natural. But here, I just used the online gif maker and layered the photos. The transitions are more abrupt, and a bit too quick (maybe I should have tinkered more with the settings on the gif creator).

It’s still kind of neat. The tree one works best, I think, for the app brings to the surface more of the textures of the carving piece. It’s a more natural piece of art. The read one is sort of distracting with the filters I used — at times giving it a sort of metallic sheen that goes counter to the concept of this being a carving on wood.

Peace (in the carving),
Kevin

Time and Space Wobbles: Art in the Age of Einstein

My wife and I visited the Mead Art Museum on the grounds of Amherst College yesterday, and its special exhibit was all about the intersections of science and art, in a field (I did not know about) known as “dimensionism.” The exhibit is entitled Modern Art in the Age of Einstein, and I found it fascinating and inspiring, and later in the day, I worked on my own artistic remix of some of the ideas my mind gathered from there.

This piece has multiple layers and multiple filters and frames as well as the layered small poem. The main visual layer is a from Marcel Duchamp’s Rotoreliefs, two spinning spiral wheels in motion on record players, explained in the art gallery this way:

When set in motion, the disc appears to transport the two-dimensional object into a wobbly three-dimensional cylinder that moves in four-dimensional space-time.

It’s fun to think of where art and science collide, and how poetry might also gain a toehold into our perceptions of these areas of overlap. Here, I hope your eyes are drawn to the center, the dark space of time, even as the shadows of my own hands taking an image allow you to step back to see the scene from another angle.

Peace (in the make),
Kevin

 

A Poem for a Friend: I am Witness

My friend, Rob, who plays bass in my band, shared a story of 9/11 with me. He was in New York City at the time of the attack, watching it from a rooftop and then going to try to help amid the confusion. He moved away from the city afterwards, unable to remain in the space where the disaster unfolded.

After our talk over a band dinner, he sent me some writing he had done, as a way to continue to process and remember. He said I could use his writing as I wanted, so I made a found poem as a way to honor his sharing of his story with me.

This video version of the found poem — I Am Witness — uses Keynote for some simple text animation … and the music is something I composed and created in an app called Thumbjam as a soundtrack for the poem. I shared versions of this project at the new yap.net site, as I was working on finalizing a few things, and I appreciate the feedback from there.

Peace (may it come),
Kevin

A Deeper Dive into the Health of the Internet

Mozilla Web Literacy Report

The Mozilla Foundation recently put out its 2019 Internet Health Report, and I kept meaning to dive in a little deeper to understand some of the trends of online activity, if only to better comprehend the world in which my young students are moving into (or are already immersed into).

You can access the report, too. They analysis focuses on some main areas:

Each of these sections has a series of short pieces on subtopics. I dug deeper into the sections and explored some of the following articles:

The study also makes three key policy suggestions for moving forward to a better Internet:

  • Give local governments and organizations more control over the Internet as they are more apt to have individual experiences and the public good in mind
  • Revamp the whole way advertising is delivered in view of how surveillance and psychological tools for hooking people into games and apps has taken root in so many advertising design elements
  • Purposefully consider the rise of AI through the lens of ethics and responsibility

Overall, the report surfaces some positive trends around privacy and responsibility, but also notes a continuing worry about censorship and the coming AI innovations on the horizon. I found some elements of the report intriguing, and worth a deeper dive, as it seems to provide information and balance, too.

Peace (inside the net),
Kevin