Slice of Life, Chapter 14

(This is part of the Slice of Life Project)

I was so much more of a writer than a teacher yesterday. What a great feeling.

After my students finished up presenting their expository paragraphs on “how to do … something” (ranging from how to play Guitar Hero to how to start a zoo to how to draw a cow to how to avoid joining a gang), we entered into freewrite time. The instructions? Just write. Write whatever you want, in whatever genre you want, on whatever topic you want. Just write.

The room was so quiet. And I was right there with them, sitting amidst their desks with my notebook open and pen in hand, scribbling away. Gosh, I wish every day could be like that. We didn’t share (OK. I miss that doorway into their private universe but I am willing to give that up once in a while in exchange for what was happening right then and there). We didn’t revise. We didn’t talk. All we did was write.

And so, I present the poems that I wrote over the course of the day. They are still sort of rough, but they can go into my bin of poems that were formed during my OnePoemEveryMonthforaYear project.

First, I wrote a serious poem as I watched my students in the act and I thought about the quiet revolution going on in my classroom.

Entering into Freewrite
Listen to the poem as podcast
I’m listening to pens – the words have no sound –
It’s all thoughts on the page.
These quiet moments are delicate pockets of complete freedom,
encouraging composition of poems, stories, plays, songs
and even comics –
They write with heads bowed and eyes focused;
Some move lips to mouth the words;
A silent incantation springing forth from mind to paper and back again.
I move among them as a ghost – a spiritual companion –
writing my own poem about them, writing,
in a sort of tacit recognition that what they do here has meaning,
even if the only eyes ever to read their words are their own,
and only their own.
We move on this journey, together,
as writers.

Then, I wrote these haikus. I am calling them, ahem, Haikus Inside the Classroom. I was really thinking about some of my individual students as I wrote and also about the classroom atmosphere.

Haikus Inside the Classroom
Listen to the poem as podcast

Ink never runs dry
when dipped in wonder and joy
…the silent boy dreams

She’s thinking of home;
A family of cold winter
That shivers her bones

Outside noise comes in
on a wave of disruption
and they ride it hard

Syllables slip by
eluding capture, escape
beyond my fingers

If I could sing songs
I’d sing in celebration
0f every writer

Finally, I wrote this poem about Quidditch (see yesterday’s post) in a humorous mood. I was thinking along the lines of James Prelutsky, I think. Just a version of the couplet.

This Game We Play
Listen to the poem as podcast

If every day was Quidditch, this place would be a mess
There’d be kids up on the ceilings and we’d have no need for desks
There’d be quaffles in the kitchen; There’d be snitches in the air
There’d be bludgers in the hallways and we really wouldn’t care
‘cause the game we play called Quidditch is all about the team
It’s a bevy of excitement (just listen to them scream)
You could say we might go crazy; you could say we’ll lose our minds
But I tell you, ever truthful, it’s an exhilarating time.

Peace (in poetry),
Kevin

PS — I stumbled on this fantastic poetry site called Poetry Archive, where famous and not-so-famous poets are reading their own poems. Here, for example, is one from the wonderful Billy Collins, reading his poem to his reader called “You, Reader.”

A Second Place Poem

I found out last week that a poem I wrote during my OnPoEvMo project last year (one poem every month) garnered second place in a writing contest hosted by our Western Massachusetts Writing Project. The poem is about race and prejudice, and trying to investigate why our skin makes us feel so different from others.

Here is the poem and here is the podcast:

Like Birds in Flight

I can’t crawl inside your skin
I’m claustrophobic with the fingers of history wrapped around my neck
and, besides, your black doesn’t fit with my white.
We clash.

Or so I have been told, not in so many words, of course, but in so many looks.
Which leaves us both here with this sense of intense misunderstanding

and missed opportunities that come from rage at the ways of this world.
No one ever told me that you were always the same as me,
with the same dreams,
the same heart,
and you, with your ancestors on an timeline that intersects with mine only in pain and infinite sadness,
you look so different from me — on the outside.
Your black doesn’t fit with my white.

I often wonder how it would be if we had a covering of feathers instead of skin
and you were to become haloed in a rainbow
with hues casting deep shadows that I could just swallow up like worms on a summer day after the storms have cleared away,
filling me whole with experience and reality,
and then maybe — maybe — I could finally feel your light, your strength, your sense of being you.

Just you and nothing more.

Your black would fit with my white.
We would no longer feel tethered by this solid Earth
and instead, as one, we would rise to the clouds on the upward draft of hope
and avoid the fears that keeps us rooted so firmly in our own minds.
I look at you.
I don’t see you.
Instead, I only see skin.

Peace (in understanding),
Kevin

What Students Say

The folks over at the Digital Ethnography site (who do some fascinating work) created this video about what college students are really saying and experiencing in their lives in this digital age. They used a Google Docs to have more than 200 students edit a document and create surveys of each other.

Interesting.

[kml_flashembed movie="http://www.youtube.com/v/dGCJ46vyR9o" width="425" height="350" wmode="transparent" /]

Peace (with information),
Kevin

Blink (again) with Google Creator

As I prepare for moving away from my Manila blog sites (the NWP will be shutting things down later this summer, I believe), I am migrating towards other tools and platforms. I will write more about Edublogs Premium in a few days for our Writing Project site, but for now, I am realizing how much I used various Manila/NWP sites for storage, etc.

Here is one example: My Blink-Blink-Blink Multimedia Poem.

So I went over to Google Web Creator (allows you to make simple web pages and hosts them for you) and recreated my poem. I need to tinker with it some more, but here it is again. It has been some time since I have gone back to it, but I am still fascinated by what I did here.

Peace (from inside the eye),
Kevin

How’d I do Three Voices Poem?

A number of blogging friends have asked about the process I went through to create and produce my podcasted The Creator: A Poem for Three Voices and One Person and so I wrote this in an email to Bonnie and figured I might as well share it through the blog.

I heard the voices in my head, quite literally. I was working with my
students on Poems for Two Voices (see this link) and figured they were having fun and so should I. Two years ago, I wrote a very cool Poem for Two Voices about Math and Writing, and then the math teacher and I read it aloud for the entire school one morning. But can I find the poem? No. Can he? No. (I am very frustrated).
So I decided to write a new one about a few of the views that I have of myself as a writer (short story writer/music composer/poet), and then thought, I might as well be all the voices, too, since I am all of the writers in the poem. I used Audacity (free open source mixing software) for the sound layering and it seemed easier in my head than it was in reality.
First, I had to read the first voice part and leave enough time and gaps for the other voices. What I was doing was reading and listening to the ghost voices in my head as I read. The second voice had its own difficulties. I had to make sure the words fit the gaps that I left AND that when words were to be in unison, that I phrased my words as close to the first “me” as possible. Turns out that first “me” wasn’t so thoughtful about how words were articulated and I found myself cursing myself at my imprecision. Darn it!
The third voice was just as tricky, except now I had two other “me”s to be impatient with, and neither one of those other “me”s seemed to know what they were doing. It was quite a quiet argument brewing in my head. My original intent had been to mess with the voices with some effects to differentiate the “sounds” of me, but I didn’t have the time nor inclination at that point. So I am relatively happy with the final result but not completely happy.
And maybe I should have added playwright and made it a perfect square of four voices. 🙂

If YOU have a poem for multiple voices that YOU want to share, I would love to learn from you, too. Or maybe you should give it a try. I can also imagine (in the back of my head) how people could do multiple voice poems from across the Net, by sending Audacity files to one another … hmmmm.

Peace (with a process),
Kevin

QuickMuse: Poetry in Action

I just came across a mention of a site called QuickMuse, which captures poetry as it is being written by famous poets. They have 15 minutes to compose a poem based on a theme, or quote, or idea, and then QuickMuse captures the writing process, making the creation of a poem somewhat transparent.

Want to see what I mean?

Poet Robert Pinsky was given this quote:

He was an intellectual. He used to read novels, poetry, history, stuff like that. And he could hold a conversation with almost anybody on all kinds of things…. He was real sensitive. But he had this destructive streak in him that was something else…. [H]e used to talk a lot about political shit and he loved to put a motherfucker on, play dumb to what was happening and then zap the sucker. He used to especially like to do this to white people.

–Miles Davis on Charlie Parker

Now watch Pinsky write the poem.

And here is the finished piece. 

Very cool, although how finished the poem is is a question, and how much did the pressure of the clock play into his writing process. It would be nice to read his reflection of the experience, too (or better, hear him podcasting his experience).

Peace (inside the poem of Charlie Parker),
Kevin

Poets in the Age of the Samurai

I am reading aloud a new book to my older boys. It is the newest edition of the Magic Tree House series by Mary Pope Osborne. They are getting a bit old for the series but they still enjoy hearing them and I am going to hold on to that experience as long as I can. Anyway, in this particular book, the main characters — Jack and Annie — are back in the time of Ancient Japan, and they have met an older man who is respected by everyone he meets and they think he is a great warrior. What they find out is that he is a great poet and that writers were respected by warriors at a level not quite seen these days.

“Yes, the samurai greatly honor the art of poetry,” said Basho. “Poetry helps focus the mind. The samurai believe a truly brave warrior should be able to compose a poem even in the midst of an earthquake, or while facing an enemy on the battlefield.” — (p.61)

Thanksgiving on Thursday

Peace (without the battlefield),
Kevin

OnPoEvMo: Boy Versus Jacket — Dec. 2006

This is another poem in my effort to write and publish at least one poem every month for an entire year. This particular poem was inspired by watching my youngest son struggle to get his jacket on one day (poor kid).

Boy Versus Jacket
December 2006

Anger
lights up his face
his arm struggling against the suffocating fabric
as the seamless entry shifts, disappears, shifts, reappears, shifts, disappears again,
so he turns on me
as if I were the one casting some invisible net all around him
– a sinister Spiderman of a sort–
confounding his efforts in an premeditated move
to listen to him scream.

If only he knew …

I watch helpless as he drops like a rock
prone horizontal to the ground,
legs kicking with a power all out of proportion to his age,
the wail of anguish suddenly pulsating up from his chest
out through his lips, and right into my brain.

Meanwhile, his sworn enemy – the winter jacket – waits on the ground
patiently – waiting for another round against the boy
and already silently declaring victory.

Listen to me read Boy Versus Jacket Boy Versus Jacket

You can also read and listen to the other poems in this series.

Peace (with poetry),
Kevin

A Poem Gets Published (the new way)

I just got a poem of mine published at a site called The New Verse News.

The poem, called Incognito: Front Lines, was written for a friend of mine who was in the Middle East as a military police officer and the poem was inspired by the publication of some written memories of soldiers in The New Yorker magazine. Thousands of soldiers are taking part in a large project to document the experience of the war in Iraq through writing and the magazine published bits and pieces of some of that writing. It was very powerful and shocking, and emotional unnerving.

I wrote my poem this summer and then used the e-Anthology to get feedback from the National Writing Project teachers to revise it, and so I thank everyone who helped me along the way.

You can read a copy of my poem or listen to it, too. Incognito

Peace (for real),
Kevin

OnPoEvMo: Buried — Nov. 2006

This is the second installment of a poem for my OnPoEvMo Poetry Project.

Buried
November 2006

There’s a poem buried in my backyard:
something left behind by someone else
who used to live here —
someone whose coffee cups are now just broken shards forced to the Earth’s surface
every spring by the frost heaves,
along with discarded bones from some old dog or wayward cat
or maybe a perfectly good person whose time just ran out.

I wouldn’t exactly call it treasure – these ceramic, organic tokens from the past —
except for the poem:
the poem that remains buried there in the fertile soil
– I can hear its Siren call late at night when my mind races
and my pen only writes in the ink of invisibility and forgetfulness —

I have the map but the shovel?
The shovel is nowhere to be found.

Listen to me read the poem Buried

Peace,
Kevin