Book Review: Ain’t Burned All The Bright

Ain't Burned All the Bright | Book by Jason Reynolds ...

I read Ain’t Burned All The Bright, the new book by Jason Reynold and Jason Griffin, five times in three days — the first, to just read it. The second, to read the words. The third, to read the images. The fourth, to flip and remix the pages, and wonder at how such efforts could surface even more stories. The fifth was to remix it … I’ll share that tomorrow.

How to explain this book? It’s a three-sentence text (long sentences, but still, just three) by Reynolds spanning over pages and pages of beautiful and evocative collage art by Griffin, and each flip of the page is another surprise.

The “story,” such as it is, can be read a few different ways, I suppose, but it has themes of the street violence and protest of the last few years, hints at the effects of Covid, and a family, in which the narrator is one of the children, struggling to hold it all together. The book is in three parts — three breaths – with a refrain of breathing in and breathing out.

It’s serious and it’s joyful — and it is this teetering of emotional zigzag that resonates so strongly through multiple readings. The mom is stuck in front of the television the whole book, watching the news. The dad is isolated in the parents’ bedroom, coughing up a storm. The brother is playing a video game and the sister is on her phone, and our narrator is just trying to break through all this clutter of life to get their/our attention.

These scenes of life inside an apartment, and the way the text (typed, cut and pasted) unfold against the small works of art by Griffin (really, every page could be framed and hung on a gallery wall) demonstrates the power of multi-literacies at work in tandem with each other.

Add the “is anyone still here?” question/answer authors’ section at the back of the book, where the two Jasons (friends since college), talk about where the seeds of this collaborative came from, and it’s all just a powerful, magical textural/artistic experience unlike any other.

I’m going back in to read it for a sixth time (rare for me). It’s that kind of book.

Peace (breathing in/breathing out),

Book Review: The Most Important Comic Book on Earth (Stories to Save the World)

The Most Important Comic Book on Earth: Stories to Save ...

Where did I read about this one? I’m no longer sure, but The Most Important Comic Book on Earth (Stories to Save the World) certainly had a title that caught my attention. It’s a huge tome, filled with more than 100 comic/graphic novel stories about the planet from dozens of writer and artists, and all with a highly activist global bent.

And all of it designed to raise awareness about Climate Change and spur us into action – right now.

The quality of the art and stories is hit or miss, I’d say, but the stories and comics that resonate were powerful statements about taking action and the book itself is a fundraiser for various environmental organizations. Some of the stories here are one-pagers. Some are multiple page stories. There are fictional stories. There are non-fiction looks at people and organizations fighting against for-profit corporation and countries negatively impacting oceans and habitats.

More than a few of the stories here are painfully difficult to read, as they envision our planet and world where no or little action has been taken to address climate change and the impact on animals, ecology, humankind.

But as the book moves along through various themes (from changing the system, to protecting the world, to restoring the damage, to inspiration for the future), the collection ends with some positive stories centered on how regular people can’t wait for the politicians to take action — we have to have it in ourselves to make change, through collective organization and deeds. Interspersed with the comics are one-page informational texts, with research and information about individual action.

The overarching message of the collection: It’s not hopeless, but neither is it inevitable that we can do what we need to do to save our planet. The comics and graphic stories here are designed to alarm and to inspire us into action. The most important comic book on Earth? Maybe it is.

This collection might be appropriate for high school readers, but some unsettling stories of environmental and ecological collapse might be a bit too much for younger readers, in my opinion. Or not, if the point all along is to jar us into action.

Peace (planted and nurtured for the future),

Book Review: The Lyrics (Paul McCartney)

PRE-ORDER Paul McCartney: The Lyrics Hardcover Book Set ...

This is my kind of book — a songwriter taking apart each and every song, from where the words came from, to how a song fell into place, and using the process to tell a larger story of a life in music — but the two-volume The Lyrics (1956 to the Present) by Paul McCartney would be a bit too much for the casual listener. And it would be a hit on the wallet (for me, this was a combined holiday gift from my children).

While many of the songs here in this collection from McCartney’s later life were not familiar to me, the Beatles’ songs and the early Wings’ songs certainly were (my first vinyl LP was Wings: At The Speed of Sound) , and as I perused the lyrics, I could hear the songs playing in my head. Each song lyric sheet comes with a narrative that McCartney pulled together, with help of writer/poet Paul Muldoon, and McCartney’s life as a curious observer of life and explorer of songs comes through.

As a songwriter myself, I was most curious about the gathering of early drafts of lyric sheets, arrows and scratches, recording studio notes about instrumental tracks, photographs inside the studios, and the other ephemeral items from a life of making songs. You can see handwritten notes and chord changes, and doodles in the margins, and all the things that show a creative mind at work.

After watching the six hours of the recent Beatles movie, and then reading this book, I’m McCartney-ed out at this point, but I was glad for the journey into songs, and appreciate how he has long developed his craft, but also the ability to recognize, seize and develop inspiration from wherever it comes, and to always be ready for the moment when a song arrives.

Peace (singing it),

Book Review: Mirror Sound

Rock and Roll Book Club | The Current

The very first songs I ever wrote and then recorded were done on a little Tascam Four-Track machine that a friend (Murph) borrowed from another friend (Eric), and we set it up in a basement room in my house. We were teenagers. We used a microphone to record some Casio keyboard drums, and layered other sounds, and added vocals (ack), and the magic of the moment when we had a “mix” of that first song was … amazing.

You can even take a listen (because I try to keep everything). The song is called Follow That Dream. It’s hard for me to listen — the lyrics, the voice, the mix … but you can hear some of what we were trying to do with our production as beginners. What you can’t hear is how excited and focused we were, to be recording songs we had written.

That memory has been lingering in my mind as soon as I began reading Mirror Sound (A Look Into the People and Processes Behind Self-Recorded Music) by Spencer Tweedy, Lawrence Azarrad and Daniel Topete.

In this oversized (and pricey) table book — full of cool photographs of underground and independent musicians across genres and genders — the three men (Tweedy is the son of Jeff Tweedy, of Wilco, but an accomplished drummer and producer in his own right) dig deep into what makes music makers creative, and how a home studio format (either simple or complex) helps these artists to chase their musical threads.

I found every page fascinating, even though I barely know any of the artists in this book. What struck me was the articulation of the creative mind at work, and the desire to make music and follow your paths, for yourself first, and maybe the world, second. These musicians are driven by the need capture the sounds and songs they hear and feel, with little regard for audience (at least, in the making of music part of things).

While some of the discussions went technical (about microphones and set-ups and software), Tweedy always seems to ground the discussion to the creative mind, and to the motivation, and to what it is about recording your ideas on your own that keeps the flame of making songs alive for each of these artists. The first section of the book is mostly photographs, intimate shots of people’s bedroom studio spaces (sometimes, it’s just a bed with a laptop and a guitar), with some enlarged quotes, and the second half is packed with interviews with the people. I enjoyed both parts, and the book itself is a beautiful piece of visual art.

After my friend, Murph, and I recorded those first songs, we were able to “steal time” at night one summer in another friend’s garage where he was slowly setting up recording equipment. We’d tinker in there, and make some tapes, and sit and listen in the car.

Later, I saved up and bought my own Tascam (which, reading here in this book, was a revolutionary product for many musicians, for its affordability and its ability to layer four tracks, or more, if you bounced tracks down) and I spent countless hours in my room, by myself, playing around and experimenting. (Murph, my friend, later went on to build his own recording studio as a business.)

These days, I mostly use an online site  to record and layer tracks, although I have an old Tascam in the basement and a cardboard box full of master tapes somewhere (probably gone bad with time).

And I am still mostly writing for an audience of one — myself, and the hope that I will stumble upon something interesting, and follow that path into a song. When it happens, there’s nothing quite like it. That’s what Mirror Sound captures on the page — that sense of wonder and magic of making music.

Peace (the muse sings),

Book Review: Old Growth

I am pretty sure I heard about this collection from Maria Popova at Brain Pickings (now called The Marginalian and always worth a follow, for sure) and I was intrigued by the mention of essays about trees (particularly when I was engaged in the Write Out project). Old Growth (The Best Writing About Trees from Orion Magazine) is what it says — a beautiful gathering of stories and essays and poems about the forests and trees of our world.

There are personal narratives here, and there are some slightly analytical scientific pieces (but still very accessible), and there are explorations of climate change and there are the discovery of old and wonderful trees in the most inaccessible places.  There are childhood memories, and some pieces are only adjacent in theme to trees (such as a wonderful piece about the writer and his immigrant father pruning trees together). Poems fill the gaps between the prose pieces, too.

I read these pieces slowly, a few each week, in order to savor the substance of the words, and as always, I came away with a deeper appreciation of the trees and foliage of our world, and how much we often taken their natural magic and generosity for granted.

I recommend this collection for anyone who wonders, and maybe worries, about our wood companions on this planet.

Peace (rooted),

Book Review: Atlas Of The Invisible

Atlas of the Invisible: Maps and Graphics That Will Change ...

I was not familiar with James Cheshire and Oliver Uberti but now I happily am. Their latest book — Atlas of the Invisible — is a fascinating tour of data representation through mapping and visual graphing, all intended to surface and show – as the title and subtitle (Maps and Graphics That Will Change How You See The World) suggest – the things we don’t see when we first look at a set of data.

Along with some intriguing writing that explains how visualization can offer another view of the stories of our times, the two authors (who worked on the book during the Pandemic) share maps and graphic on a range of topics, from Climate Change (a heat map is both illuminating and alarming); information and transportation flow across global borders, and in the case of airplanes, the pollution flow; the states of mind of people in different countries (indicated by happy to sad faces); the status of bike sharing in the world; and an end section that shows various forms of the maps of Earth, and how each has its positives and biased negatives.

There’s even an interesting textual graphic that breaks down the code of a single Retweet on Twitter, to show how much tracking information is packed inside a single act of retweeting something, and how much a social media company can know about us by gathering and collating the codes of our online activity.

This is a book that I flipped through, and then went back and read the narratives, and then flipped around inside again, and although it is a library book, I can see myself getting a copy for my collection of infographics (I still remember when there was a special collection of Best of Infographics of the Year that I would buy every January, and devour in a single sitting).

Now I am off to see if their last book — Where The Animals Go — is available from our library. (It is. Yeah!)

Peace (at every data point),

Infographic Chart: Books, Read (2021)

Books Read 2021

I’ve read some great books this past year … and grappled with a few duds … but mostly, it was good. I still use Goodreads for keeping track but I do keep wondering if it might be time to abandon ship and move to a more open source platform that gives me more flexibility and privacy. I know there are a few out there that seem interesting. Or I may stay with Goodreads (or, Amazon, which is why I keep thinking I want to leave). Maybe I’m a lazy reader tracker …

Peace (in pages),

Book Review: Daughter of the Deep

Rick Riordan pulls off a nice writing trick — of using Jules Verne’s classic 20,000 Leagues Under the Sea to propel a new story forward into the future in Daughter of the Deep, his latest adventure novel for middle school readers.

In this new book, Ana Dakkar is our hero, a high school freshman pulled into action early in the story (in true Riordan form) by experiencing disaster and uncertainty, and then coming to grips with the legacy of an ancestor (Captain Nemo himself) before taking command of The Nautilus, a living submarine, that has been waiting a long time for her to arrive.

I have to admit: I had to shake off Percy Jackson’s voice in my head at the start of the story because anytime I read Riordan, I hear Percy, but soon enough, I was along for the ride with Ana, a hero in her own right, and it became a fun adventure, full of cool scientific technologies and serious family squabbles, and moments of near disaster that Ana, as an unexpected hero, has to navigate through.

Reading this novel certainly brought back memories of Nemo and the Nautilus to my head — I remember reading Verne’s book (not always easy reading, if I remember, but cool enough to keep my youthful focus) and watching movie adaptations over the years. Riordan wisely pulls out the most interesting elements from Verne’s story and weaves that into his story here (and writes an interesting piece at the start about why he wrote Daughter of the Deep).

Riordan should be admired for the work he has been doing in supporting a new generation of writers who explore cultural myths and stories in adventure- and character-packed novels in recent years with his Rick Riordan Presents … imprint. And here, Ana is Bundeli-Indian American, and it’s not just a throwaway cultural reference — there’s an important and clear line back to Nemo himself, and Ana’s character and actions are connected to her heritage at times. It’s not a hammer on the head. It’s just infused into the story. As it should be.

Middle school readers of adventure stories will enjoy Daughter of the Deep, but it would also be good for upper elementary and high school readers.

Peace (in the sea),

Book Review: The Look of the Book

I still love wandering book stores, letting the covers of books catch my eye. The reduction of book covers to thumbnails on the screen — like vinyl record covers of yesteryear — brings with it some sense of loss.

In The Look of the Book (Jackets, Covers and Art at the Edges of Literature), Peter Mendelsund and David Alworth offer up an appreciation and an artistic aesthetic to the power of the decisions that grace the covers of books.

Both men are from the field of design and writing, and they bring a wonderful sense of “insider” information to the table for this book, which is packed full of examples, anecdotes, interviews and observations about the power of what we see when we look at the cover of a book, and how the cover works on so many levels to draw us into the story.

While they peruse the historical landscape of book design, they don’t ignore the moment we are in, where, as they remind us many times, people search for books on Google and then order books from Amazon, and where the role of the cover to catch your eye may be diminished, even if books are still going strong and seem to mostly weather any innovation that comes pop culture’s way.

This is also just a beautiful book to read and to hold, and to peruse, and yes, it’s cover is interesting, with artistic collage of book covers that appear to be layered just beneath the raised surface of material. The phrasing in the subtitle of “edges” of writing and publishing and telling stories through words and visuals was a common theme, and one that intrigued me.

I came away from The Look of the Book with new appreciation for the collaboration and teamwork that goes into book design, and loved the look at covers never approved, and how font, and space, and color, and image, and more, all play a coordinated role in the marketing of books (from the business perspective) and the inferred sense that inside the cover is a work of art, worthy of the cover.

Peace (beneath the cover),

Graphic Novel Review: Cold War Correspondent

Here’s another deep look at history through the graphic novel lens of Nathan Hale’s Hazardous Tales (is it really the 11th book?), and Cold War Correspondent brings us right into the terrible heart of the Korean War (probably one of the least understood military campaigns in modern times).

What’s most fascinating (for me, at least, as a former newspaper reporter) is the lens here, as it is told through the eyes of Marguerite Higgins, a female journalist who embedded herself with troops in some of the more brutal skirmishes of the Korean War of the 1950s. Higgins was an award winning reporter for New York Herald Tribune, and constantly had to argue her place in the war with generals and admirals and others who could not believe a woman should be allowed on boats and in barracks with me.

She persisted.

And the stories Higgins told of soldiers and the battle front made headline news and won her prestige and respect, and her work opened a lot of doors for many other women who were also fighting gender discrimination in the field of journalism.

As with other books in this series, the historical period is told with seriousness and humor, making use of the panels on the page (although some pages are crammed a bit too much with information at times). This graphic novel would be a good fit for a military- or history-obsessed high schooler or advanced middle school reader. There’s a high level of violence and death, as it is war, after all.

Cold War Correspondent sheds light on the Korean War, and how close the United States and its allies in South Korea were to losing the Korean continent to the Soviet Union-backed North Korea in one of the Proxy Wars that unfolded in the aftermath of World War 2.

Peace (now more than ever),