Peace (eyes have it),
I’m slowly reading and digesting, and appreciating, the National Council of Teachers of English revised definition of Literacy in a Digital Age, and reflecting on the ideas within it.
One of the first topics of the definition could be summed up as Explore and Engage, and the definition ponders a series of questions to consider, framed within the concept of what literacy is when the texts are multi-modal.
Officially, it says: “Explore and engage critically, thoughtfully, and across a wide variety of inclusive texts and tools/modalities”
As a teacher, I think of these concepts quite often when planning learning experiences for my students. I contemplate often about how I can expand my notions of what writing is to include the use of different modalities — from video, to image, to code, to hyperlinks, to video game design, to screen writing (technology as well as plays, I would add), and beyond.
In the definition by NCTE, I particularly like the reference to learners understanding and pushing against the “limitations” of technology they use, to understand or at least acknowledge that a developer might have one idea for a tool, or app, or site but that we, as composers and creators, can also explore workarounds, pushing something into something else.
Often, the only time you can find the limits is by pushing the limits in directions one might not think about. How do we teach this to our students?
For teachers, who need control of the learning environment, this is an uncomfortable place to be in. But if we want to engage our students in meaningful work, it is a shift that has to happen, even if slowly.
There’s no one way but keeping an open mind, as a teacher, about creative, independent students, and sharing our own digital writing experiences — where things failed, where we found a way out, where we found success — seems ever more important.
Peace (along the edges),
I’m slowly reading and digesting, and appreciating, the National Council of Teachers of English revised definition of Literacy in a Digital Age, and I am appreciating the depth of the inquiry.
Over the coming days (or weeks), I hope to explore some various aspects of their work, as digital literacy is a concept that I, too, have been pondering on for some time as a teacher and writer, and have struggled at times to put it all into words that seem large enough to encompass the changing literacy landscape and narrow enough to stay focused on literacy practice.
The words “interconnected, dynamic and malleable” stuck out for me in the opening introduction. Those three words say a lot about how we can look at literacy in the age of screens and Connected Learning practices and more.
- Interconnections, as in the ways we can collaborate with others, find information across platforms, and write our way across platforms and online spaces
- Dynamic, as in we can leverage multimedia to amplify our voice, our message, our connections (or we can choose not to, and write with quiet, too)
- Malleable, as in we have flexibility for the ways in which we write, and share, depending upon situation and circumstance, and audience, and need
The NCTE researchers then dive deeper into how these elements play out across themes of literacies, access, social justice and more.
Active, successful participants in a global society must be able to
- Participate effectively and critically in a networked world;
- Explore and engage critically, thoughtfully, and across a wide variety of inclusive texts and tools/modalities;
- Consume, curate, and create actively across contexts;
- Advocate for equitable access to and accessibility of texts, tools, and information;
- Build and sustain intentional global and cross-cultural connections and relationships with others so to pose and solve problems collaboratively and strengthen independent thought;
- Promote culturally sustaining communication and recognize the bias and privilege present in the interactions;
- Examine the rights, responsibilities, and ethical implications of the use and creation of information;
- Determine how and to what extent texts and tools amplify one’s own and others’ narratives as well as counter unproductive narratives;
- Recognize and honor the multilingual literacy identities and culture experiences individuals bring to learning environments, and provide opportunities to promote, amplify, and encourage these differing variations of language (e.g., dialect, jargon, register). — from NCTE
Peace (thinking on it),
This is the third year I have brought Kevin Kelly’s Internet Mapping Project into my sixth grade classroom as part of the start of our Digital Life unit. I love how the artistic invitation — to capture yourself in relation to the Internet and technology — opens up a discussion about the intrusion of technology and the way it has woven into our lives.
If you don’t know about Kelly’s project, it was an attempt to humanize our interactions with the Internet and to visualize the ways we see “home” in online spaces. I de-emphasize the “home” aspect a bit with my students, and focus on themselves as the central anchoring point.
The internet is vast. Bigger than a city, bigger than a country, maybe as big as the universe. It’s expanding by the second. No one has seen its borders.
And the internet is intangible, like spirits and angels. The web is an immense ghost land of disembodied places. Who knows if you are even there, there.
Yet everyday we navigate through this ethereal realm for hours on end and return alive. We must have some map in our head.
I’ve become very curious about the maps people have in their minds when they enter the internet. So I’ve been asking people to draw me a map of the internet as they see it. That’s all. — Kevin Kelly
Every morning, in October, I used the daily place-based theme of the day for CLMOOC and Write Out to both write poetry (at home, before work) and doodle (at school, with kids). While I was posting the small poems at my poetry site, I wanted to find a way to gather them together, to curate them, with the calendar that Wendy had built for us in CLMOOC with every theme listed.
I had the idea of adding an audio version of each poem to the days, but never got to it. Yet. I might still do that, since it is easy enough to upload audio into each tagged item in ThingLink.
Also, here is my complete calendar of daily doodles from the classroom — there’s no real correlation between my doodles on the themes and the poems on the themes, other than both were inspired each day by the same theme.
Peace (day by day, poem by poem, doodle by doodle),
We had nearly 30 small poems written and shared in our open Google Slides for the Write Out project. I gathered up the files and used SoundSlides to create a short video of this wonderful collection of words and images and collaboration.
Peace (in the poems),
After a week or so of asking (cajoling, sometimes) folks to record lines and stanzas from the collaborative Where We’re From poem (with lines submitted by more than 100 people during the first part of the Write Out project), the last track was delivered, put into place, and the collaboration … is complete.
There were 25 people who submitted voices (well, technically more, since Kim D. had her entire class of young students reading) and recording tracks to this collaborative poem, which runs nearly 13 minutes long. That’s a bit to listen to, but the effect is what we had hoped for — a quilted collage of many voices reading a poem written by many people, about place and home and family and more.
When we talk about connected learning ideas and collaboration, we hope that this kind of project is something that can inspire us to create together, to make together, to publish together. Sure, there are problems — some of the audio files sound different because of the myriad of apps and microphones. We did our best to level things out, but there’s plenty of rough spots.
That gives the audio poem charm, though. People are different, and our voices are different, and the audio collage reflects that in meaningful ways. If you participated in any aspect of this — from writing lines, which were dispersed and gathered in themes of stanzas and sections to recording assigned parts — thank you.
Peace (sounds like the world writing),